FACULTY RESOURCES

A Resource Guide for Music Research and Creative Opportunities 

Research Agenda: Body, Mind, and Music

The UP College of Music aims to actively contribute towards the enhancement of UP’s stature as a research university. For this reason, we intend to invigorate research activities by formulating a college research agenda, which will serve as an anchor upon which faculty members may produce new knowledge within the domains of their specific fields of expertise or in other related disciplines. Articulated under the general theme of Body, Mind, and Music, this agenda upholds the notion that music, though rooted in the universe of sound, is imagined within, and expressed through one’s body. From this inner energy, it is socially shared via diverse modalities, whether face to face or mediated by print and other multimedia channels, including online systems that have far reaches and accessibility to global interchanges. The agenda posits that research, in the exploration of various music and dance phenomena, is an authentic human initiative that grows and develops through one’s reflexivity, discourse, and ability to see things in the wider perspectives of musical ‘practice’. This agenda resonates with the mission-vision of the college in becoming “a community of thinking and creative performing artists and scholars transforming the world through ideas, sound, and movement.”



This research agenda is comprised of, but not limited to the following sub-themes:

1. Music Pedagogy and Learning.

Pedagogy can be developed from years of teaching through observation, documentation, analysis, and writing. As we aim for effective teaching, what methodology do we employ in pursuing this goal within the four walls of our classroom, in the studio, or within the informal venues of music education?

2. Music for Health and Wholeness.

In the pursuit of physical, emotional, and mental wellness, how do we examine the ways by which music and movement are linked to the dynamics of a sound mind-and-body?

3. Cultural Identity, History, and Heritage.

We strive to identify our roots and understand our shared histories as a people. In the interest of empowering local scholarship, let us contribute to the pan-loob (emic) music projects and when necessary, balance these with pan-labas (etic) frameworks in the effort of reinforcing the country’s national consciousness.

4. Advocacy to Community Service.

Our research community is the heart of our life’s work. What do we give back to them in return for their knowledge? How do we espouse for the production of new knowledge and innovate artistry that will benefit the community?

5. Environmental Resilience.

Our engagement in music research and performance is significant in developing emotionally and psychologically resilient individuals. What tools do we develop in bridging communities to cross the dangers of climate change?



While this research agenda is intended to benefit faculty members and administrators, we aim to involve certain sectors of our society in our academic institution. These include the physically challenged individuals, displaced communities, and ethnic minorities. We also prioritize those who are musically gifted, particularly the young who will require special and professional mentoring.


The UPCMu’s agenda for extension service is conceived under the main precept “Music for All” which seeks to enable diverse individuals and groups to experience the scientifically proven benefits of musical engagement. This agenda aligns with the college’s mission-vision of becoming “A community of thinking and creative performing artists and scholars transforming the world through ideas, sound, and movement.” The agenda upholds the notion that music, as a disciplined artistic expression, and an object of intellectual passion, fosters social cooperation and community solidarities. It posits that musical involvement is not a mere exhibition of skill or technique, but an authentic human expression that offers a unique and alternative vision of life. This agenda is comprised of, but not limited to, the following themes:

1. Life-long Music Learning
We seek to provide affordable and accessible musical training to students of all ages and abilities under the non-degree offerings of the UPCMu Extension Program and other projects involving pedagogy.

2. Music for Well-being and Wholeness
We are committed to promote musical engagement as a means for fostering better physical and mental health; we are dedicated to a deeper understanding of the effects of sound and movement to mind and body, and seek to apply this knowledge as our contribution to the community.

3. Music for Emotional, Economic, and Cultural Resilience
We believe that musical engagement provides opportunities for the development of emotionally resilient individuals; that music can provide a path out of poverty; and that musical artists and scholars can assist communities in developing sound cultural programs and policies.

4. Music as Heritage
We understand that expressive forms such as literature, music and dance form part of the intangible heritage of communities upon which its members find rootedness, and thus need to be carefully documented and cared for.

5. Inclusive Music
We seek to expand music audienceship by bringing in, or reaching out to diverse viewers and listeners; we aim to emphasize the accessibility of our presentations through thoughtful, creative and informative programming and affordable or free admissions.

While this agenda is intended to benefit participants of all ages, abilities and social standing, we aim to prioritize the involvement of particular sectors of society. These include groups at risk, such as recovering patients or persons with disabilities or special conditions, as well as urban poor communities and ethnic minorities. It also seeks to prioritize musically gifted individuals, particularly the young who will potentially choose careers in music, and require special and professional mentoring.

(updated June 18, 2018)

• UP Office of the Vice Chancellor for Research and Development (OVCRD)
https://upd.edu.ph/research/funding/
ovcrd@upd.edu.ph | up.ovcrd@gmail.com
research.dissemination1@upd.edu.ph
8981-8500 locals 4050, 4048


• UP Office of the Vice President for Academic Affairs (OVPAA)
https://ovpaa.up.edu.ph/ovpaa-administered-programs/
info.ovpaa@up.edu.ph | fellowship.ovpaa@up.edu.ph
ecwrg.ovpaa@up.edu.ph | rdg.ovpaa@up.edu.ph
0946-7638501 (TNT) or 0995-3088305 (Globe)


• National Research Council of the Philippines (NRCP)
http://nrcp.dost.gov.ph/research-grants
nrcpinfo@yahoo.com
+632 837-6143, +632 837-6142


• Commission on Higher Education (CHED)
https://ched.gov.ph/grants/
info@ched.gov.ph
(02) 8441-1260, hotline: 0999-4445996

• National Commission for Culture and the Arts (NCCA)
http://www.ncca.go.ph (Projects and travel grants)
info@ncca.gov.ph
trunkline: (02) 8527-2192 locals 503, 524, 541


• Department of Science and Technology (DOST)
http://www.dost.gov.ph/knowledge-resources/publications/23-announcements
ousec.rd@dost.gov.ph
(632) 837-2071 to 82 locals 2510, 2010 / (632) 837-2943

• UPD Office for Initiatives in Culture and the Arts (UPD OICA)
http://www.oica.upd.edu.ph/grants/
oica.upd@up.edu.ph
8981-8500 locals 2660, 2659

• COMPOSERS SITE
https://composerssite.com

• U.P. Office of Institutional Linkages
https://www.up.edu.ph/index.php/about-up/institutional-linkages/
international.upd@up.edu.ph
international.upd@up.edu.ph
8981-8500 local 2561

• Fulbright Foundation, Inc.
fulbright@fulbright.org.ph
(632) 8812-0919, (632) 8812-0945

• Asian Cultural Council

accphilippines@gmail.com
(632) 757-3006

• The Japan Foundation Manila
https://www.jfmo.org.ph/
E-mail: email@jfmo.org.ph
+63-(0)2-8811-6155 to 58

• Sumitomo Foundation
http://www.sumitomo.or.jp/e/

SCHOLARSHIPS-ASIA

SINGAPORE

Singapore Raffles Music College
https://srmc.edu.sg/prospective-students/srmc-shine-scholarship/

National University of Singapore
https://www.askadmissions.nus.edu.sg/app/answers/detail/a_id/806/kw/music%2scholarship

TAIWAN

National Taiwan University of Arts Scholarship for International Students
https://www.studyintaiwan.org/university/scholarship/375

HONGKONG
https://www.scholarships.hku.hk/news/detail/95

SOUTH KOREA
https://en.snu.ac.kr/admission/gradutate/scholarships/before_application

MALAYSIA
https://www.yonsei.ac.kr/en_wj/admission/scholarship.jsp


https://sunway.edu.my/scholarships/scholarships-awards/sunway-music-scholarship

http://www.unimas.my/join-unimas/scholarships

CHINA

https://school.cucas.cn/Central-Conservatory-of-Music-940/scholarships/175.html
https://school.cucas.cn/China-Conservatory-of-Music-938/

DUBAI
https://www.birmingham.ac.uk/dubai/study/fees-and-funding/scholarships.aspx
https://www.birmingham.ac.uk/search.aspx?q=music&OpenSection=courseresults

SCHOLARSHIPS-PACIFIC

AUSTRALIA

The University of Sydney
https://sydney.edu.au/music/study-music/scholarships.html

SCHOLARSHIPS-EUROPE

FRANCE
http://www.conservatoiredeparis.fr/accueil/ GERMANY

DAAD Postgraduate Studies in the Field of Music for International Students
https://scholarship-positions.com/category/scholarships-by-majors/music-scholarships/
UK

Dr. John Birch Music funding for International Students in the UK, 2019
https://scholarship-positions.com/dr-john-birch-musicscholarship-for-international-students-in-the-uk/2019/05/31/

Newcastle University Florence Hilda Yates music award in the UK, 2019
https://scholarship-positions.com/newcastle-university-florencehilda-yates-music-scholarship-in-the-uk/2019/07/09/

International undergraduate music awards at Newcastle University 2020
https://scholarship-positions.com/international-undergraduatemusic-scholarships-at-newcastle-university/2019/08/31/

ITALY

3-Month “Fondazione di Venezia” Residencial Scholarships for
Italian and International Scholars
https://scholarship-positions.com/3-month-fondazionedi-venezia-residencial-scholarships-italian-internationalscholars/2018/12/19/

SCHOLARSHIPS-USA

• University of Hawai’I Manoa
http://www.hawaii.edu/fas/info/scholarships.php

• University of Washington School of Music
https://music.washington.edu/teaching-assistant-job-descriptions

• Central Washington University College of Arts and Humanities
http://www.cwu.edu/music/graduate-teaching-assistants

• University of Wisconsin-Madison
https://research.wisc.edu/funding/grant-matching-programs/

• Dr. Robert Hawkins Memorial Scholarship
https://www.unigo.com/scholarships/by-major/musicscholarships/dr-robert-hawkins-memorial-scholarship/1004910

Acta Acustica united with Acustica
Acta Ethnographica Hungarica
Acta Musicologica
AES: Journal of the Audio Engineering Society
American Imago
American Music
Anuario Musical
Archiv fur Musikwissenschaft
Black Music Research Journal
British Journal of Music Education
Bulletin of the Council for Research in Music Education
Cahiers d’Ethnomusicologie
Cambridge Opera Journal
Co-herencia
Computer Music Journal
Contemporary Music Review
Cuadernos de Musica, Artes Visuales y Artes Escenicas
Dix-Neuf
Early Music History
Eighteenth-Century Music
Empirical Studies of the Arts
Ethnomusicology
Ethnomusicology Forum
Folk Music Journal
Fontes Artis Musicae
Horror Studies
I Tatti Studies
IEEE Signal Processing Magazine
International Journal of Community Music
International Journal of Music Education
Jazz Research Journal
Journal of Aesthetics and Art Criticism
Journal of Creative Music Systems
Journal of Folklore Research
Journal of Historical Research in Music Education
Journal of Mathematics and Music
Journal of Music Teacher Education
Journal of Music Theory
Journal of Music Therapy
Journal of Music, Technology and Education
Journal of Musicology
Journal of New Music Research
Journal of Popular Music Studies
Journal of Research in Music Education
Journal of Science and Technology of the Arts
Journal of the American Musicological Society
Journal of the Royal Musical Association
Journal of the Society for American Music
Journal of World Popular Music
Leonardo
Leonardo Music Journal
Letonica
Malaysian Journal of Music
Metal Music Studies
Modernism/Modernity
Music Analysis
Music and Letters
Music Education Research
Music Perception
Music Reference Services Quarterly
Music Scholarship
Music Theory Online
Music Theory Spectrum
Music Therapy Perspectives
Musica Hodie
Musicae Scientiae
Musical Quarterly
Musicologica Brunensia
Musicology Australia
Muziki
Muzikoloski Zbornik
Nineteenth-Century Music Review

October
Opera Quarterly
Opus
Organised Sound
PAJ - Journal of Performance and Art
Per Musi
Perfect Beat
Popular Entertainment Studies
Popular Music
Popular Music and Society
Psychology of Music
Punk and Post-Punk
Res Musica
Research Studies in Music Education
Resonancias
Revista de Musicologia
Revista Electronica Complutense de Investigacion Musical
Revista Electronica de LEEME
String Research Journal
Tejuelo
Tempo
TMS Annual Meeting
Traditiones
Twentieth-Century Music
World of Music

pjes
Music Curriculum Contextualization in the Philippine K to 12 Curriculum: Negotiations, Constraints, and Mediating Forces

Authors: Jocelyn Timbol Guadalupe, Eufracio C. Abaya, and Clement Camposano

This study problematized the K to 12 music curriculum contextualization policy, and the negotiations, constraints, and mediating forces experienced by selected music teachers in formal music education, given the interactions with informal and non-formal music education. This ethnography analyzed the experiences of 12 music teachers in a town with a long-standing community band tradition. Data were gathered through interviews, focused group discussions (FGDs), surveys, and classroom observations conducted over a seven-month period. Framed from the concept of “policy as practice” of music curriculum contextualization, the findings revealed the music teachers’ negotiations: music listening selections, immersion, and integrative teaching strategies; mediating forces: teachers’ policy understanding and music content knowledge; and constraints: standardized examinations and inadequate school music resources. The study concluded that music contextualization policy should consider practice-informed teacher negotiations on the ground, teachers’ mediating forces, and teacher-identified constraints. Recommendations included community dialogue, adaptations of community band practices in class, and a paradigm shift toward student-led learning and assessment.



Raul C. Navarro, Ph.D.
Research Coordinator

Josephine Cecilia L. Baradas
University Researcher



INTERNATIONAL PUBLICATIONS

  1955 Maceda, Jose M. “Hanunoo Music from the Philippines.” Album of LP Record. New York: Folkways Records and Services Corp., c1955

Pajaro, Eliseo M. “Our Musical Ties with Other Asians.” Evening News. Sept 23, 1955.
  1956 Maceda, Jose M. “Philippine Music and Contemporary Aesthetics.” Cultural Freedom in Asia. Proceedings of a Conference convened by the Congress for Cultural Freedom. Tokyo, 1956. Pp. 116-123

Maceda, Jose M. “Western Idiom in Eastern Music.” UNSECO First Regional Music Conference in Southeast Asia, 1956

Maceda, Jose M. “The Music of Southeast Asia: A report on a Brief Trip.” Journal of East Asiatic Studies. Vol. V, no. 3 (July1956) pp.297-313
  1958 Maceda, Jose M. “Chants from Sagada Mountain Province, Philippines.” Ethnomusicology, II 2 (May 1958) pp.45-466 and 3 (Sept) pp.96-107
  1961 Pajaro, Eliseo M. “The Philippine Musical Scene.” The World of Music. Bulletin of the International Music Council. Vol. 3 no. 4, August 1961
  1962 Maceda, Jose M. Field Recording Sea Dayuk Music.” Sarawak Museum Journal, X, pp.19-20 (1962) pp.486-500

Maceda, Jose M. The Music of Maguindanao. Folkways Records and Service Corp., 1962
  1964 Maceda, Jose M. “Means of Preservation and Diffusion of Traditional Music: The Philippine Situation.” Creating a Wider Interest in Traditional Music. Proceedings of a Conference held in Berlin in cooperation with the International Music Council, June 12-17, 1964; International Institute for Comparative Studies and Documentation (1967) pp.90- 95

Maceda, Jose M. “The Music of the Maguindanao” (PhD Dissertation). Los Angeles, University of California, 1963. Ann Harbor, Michigan, University Microfilms, 1964

Pajaro, Eliseo M. “Elusive Filipino Soul in Music.” The Arts Exchange. 4th Quarter, no. 33, 1964
  1965 Maceda, Jose M. “Qualidades Latines No Brasil.” Afro-Asia, no.1. Salvador: Universidade de Bahia, Centro de Estudos Afro-Orientais, pp.97-105. 1965
  1966 Maceda, Jose M. “The Musics of Asia.” Report of a Music conference held in Manila. The World of Music. Vol. 8 no. 4 and 5 (July-October 1966)

Maceda, Jose M. “Review of Anthropology of Music by Alan P. Merriam.” Current Anthropology. Vol. 7, no. 2 (April 1966) pp. 223-224

Maceda, Jose M. “Philippines.” New Harvard Dictionary of Music. Cambridge: Harvard University Press, 1969
  1972 Maceda, Jose M. Nineteenth Century Music in Extra-European Cultures: Philippines.” Musik-kulturen Asiens and Afrikas in 19. Jahrhunderts. Regensburg: Gusav Bose, 1972

Maceda, Jose M. “Philippine Music.” Handbuch der Oreintalistik. Leyden: Brill, 1972
  1973 Maceda, Jose M. “Music of Southeast Asia.” Encyclopedia Brittanica, 1973
  1974 Maceda, Jose M. “Philippine Musical Instruments.” Musikgeschichte in Bildern. Leipzig: VEB Deutsch Verlag fuer Musik, 1974

Maceda, Jose M. “Philippines.” Dictionnaire dela Musique, 1974

Maceda, Jose M. “Philippines.” Groves Dictionary of Music. 1974
  1975 Santos, Ramon P. "The Ritual Music of the Iglesia del Ciudad Mistica de Dios: A Preliminary Report." Asian Studies Vol. v. 13, no. no. 2 (1975), page 93-117
  1980 Santos, Ramon P. Preservation and Enhancement of Traditional Music in Education." Proceedings of the Third Asian Pacific Conference on the Preservation of Cultural Properties and Tradition. Taipei, 1980
  1985 “Auswirkungan kultureller Fremdeinfluesse auf del Musik des Ostens." Oesterreichische Musik Zeitschrift. Feb. 1985
  1991 Santos, Ramon P. "From Mannerism to New Aesthetics: Levels of Adaptation in the Classicization' of Asian Music,' Canzona. New Zealand, 1991

Santos, Ramon P. "Philippines" In the New Orient." Holland: Frits Knupi Publishers, 1991
  1994 Santos, Ramon P. "Authenticity and Change in Intercultural Music Teaching." Musical Connections: Tradition and Change. ISME, New Zealand, c1994
  1997 Santos, Ramon P. "Beyond the Song." Report of World Musics Forum Hamamatsu 1996. (Eds. Katsumura Jinko and Tokumaru Yosihiko). Foundation for the Promotion of Music Education and Culture. Tokyo, Japan, 1997

Santos, Ramon P. "Universalism and Particulars in Folk Musics: Views on the Significance of Kodaly on System and Practice, Method and Pedagogy," Bulletin of the International Kodaly Society. Vol 22, no.2 International Kodaly Society, 1997
  1998 "Musics of the World's Cultures: a sourcebook for music educators." Lundquist, Barbara.; Szego, C.K.; Santos, Ramon P.; Solbu, Einar. [Nedlands, Western Australia] Published by Callaway International Resource Center for Music Education School of Music The University of Western Australia for the International Society for Music Education, 1998

Santos, Ramon P. "Art Music of the Philippines in the Twentieth Century," "Popular Music in the Philippines," "Islamic Communities in the Southern Philippines." The Garland Encyclopedia of World Music: Southeast Asia. Eds: Terry Miller and Sean Williams. New York and London: Garland Publishing, Inc., 1998

Santos, Ramon P. “Traditional Expressive Cultures in Modern Society: An Issue in Survival in Change." The Korean Journal of Dance Studies. Vol. 2 Fall 1998
  2001 Buenconsejo, Jose S. Review of “Solomon Islands: The Sounds of Bamboo: Instrumental Music of the Are-are People of Malaita” in Ethnomusicology Online (EOL). Vol. 7: 2001
  2002 Baes, Jonas U. “Composers in the Philippines: Counterstreams in a Post-Colonial Epoch.” In Asian Composers in the 20th Century edited by The Japan Foundation of Composers. Tokyo: The Japan Federation of Composers, Inc., c2002

Buenconsejo, Jose S. Review of Margaret Kartomi’s “The Gamelan Digul and the Prison Camp Musician Who Built It: An Australian Link with the Indonesian Revolution.” Rochester: University of Rochester Press, 2002

Buenconsejo, Jose S. “Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines.” New York and London: Routledge, 2002
  2003 Buenconsejo, Jose S. Review of Margaret Kartomi’s “The Gamelan Digul and the Prison Camp Musician Who Built It: an Australian Link with the Indonesian Revolution” in The Journal of Asian Studies 62/4 (November 2003), 1325- 1236
  2005 Muyco, Maria Christine M. “Learning from the Women of Panay Bukidnons: Task-Building as Empowerment in Music, Dance and Other Artforms.” In Acts of the World Music Forum, Los Angeles 2005: Music, Cultural Rights, and Social Change, edited by Fondazione Adkins-Chiti, Quaderno 4

Santos, Ramon P. “The Music of Jose Monserrat Maceda Antithesis and Alternatives." ACL Bulletin July, Special Issue (2005)
  2006 Baes, Jonas U. “Mangyan Internal Refugees from Mindoro Island and Spaces of Low-intensity Conflict in the Philippines.” In Shima. The International Journal of Research into Island Cultures” Vol. 1/Nr. 1. 2007 {Revised from a paper for the 2006 Colloquium, “Island Cultures in Transition: an interdisciplinary colloquium on island cultures in the Asia Pacific region' at the University of Hong Kong [22nd Nov-24th Nov. 2006]
  2006 Baes, Jonas U. "Mangyan Internal Refugees from Mindoro Island and Spaces of Low-Intensity Conflict in the Philippines." Shima. International Journal of Research into Island Cultures 1/1: 59-72. 2007

Muyco, Maria Christine M. “Learning from the Women of Panay Bukidnons: Task-Building as Empowerment in Music, Dance and Other Artforms.” Music, Cultural Rights, and Social Change, edited by Fondazione Adkins-Chiti, Quaderno 4. International Music Council, UNESCO and Donne in Musica, Italy, 2007
  2008 Silvestre, Ma. Patricia B. “Reliving the Music in the Journeys of Nuestra Señora de la Paz y Buen Viaje” and “Music in the Heart of Manila: Quiapo from the Colonial Period to Contemporary Times-Tradition, Change and Continuity” in Diagonal, Journal of the Center for Iberian and Latin American Music of the College of Humanities, Arts and Social Sciences, University of California at Riverside (Published as conference proceedings of the interdisciplinary symposium “‘Encuentro Filipino: Rediscovering a Hispanic Nation”, held at the University of California at Riverside and Dartmouth University, Hanover , New Hampshire April 2008. http://www.cilam.ucr.edu/diagonal/current/index.html
  2011 Baes, Jonas U. "Malaysian Composers, Geopolitical Spaces, and the Institution of Cultural Difference.” Perfect Beat 12/1: 31-45. 2011
  2012 Baes, Jonas U. “When there is no more music...or…Dumagat internal refugees in the Philippines and the issues of ‘cultural objecthood’ Wacana Seni Journal of Arts Discourse v. 11 n. 2: 179-200. 2012
  2013 Baes, Jonas U. "Patangis-Buwaya: Reflection and Praxis Ten Years after engaging with Iraya-Mangyan Internal Refugees. Shima: The International Journal of Research into Island Cultures v. 7 n. 1: 121-126. 2013

Buenconsejo, Jose S. “Gongs in the Philippines” in Philippines: An Archipelago of Exchange. Actes Sud (Paris, 2013)

Muyco, Maria Christine M. “As Healers Dance: A Processual View of Panay Bukidnons’ Babaylan in Motion.” In Back from the Crocodiles Belly. Sta. Rosa, California, U.S.A.: Center for Babaylan Studies, 2013

Muyco, Maria Christine M. “Mangalimog Ako: Finding One’s Voice in Sugidanon (Epic Chanting).” In Songs of Memory in Islands of Southeast Asia, ed. by Nicole Revel. UK: Cambridge Scholars Press, April, 2013

Muyco, Maria Christine M. “Space Constitutions in Panay Bukidnon's Music and Dance.” In Sound and Movement, International Conference of Traditional Music (ICTM) Conference Proceedings, June 2013

Tan, Arwin Q. “The Status and Influence of a Philippine Town Maestro: The Case of Don Lorenzo Ilustre of Ibaan, Batangas” Proceedings from the 2nd Symposium of the ICTM Study Group on Performing Arts of Southeast Asia (2013) pages 85-92
  2014 Buenconsejo, Jose S. "The Commanding Amigo and Its Spirit Embodiment: An Inquiry Into the Relationship between Manobo-Visayan Compadrazgo Social Relationship in the "Modern" Manobo Cosmology and Ritual," in Suvannabhumi: a multidisciplinary Journal of Southeast Asian Studies Vol. 6, No. 1 (June 2014).
  2015 Baes, Jonas U. “Patangis Buwaya: A Philosophy of Praxis for a New Music Composition in Southeast Asia. International Festival Journal, Burapha University (Thailand) Faculty of Music and the Arts Vol 2 /No. 1. 2015

Tan, Arwin Q. Review. "Kirial de Baclayon año 1826: Hispanic Sacred Music in 19th Century Bohol, Philippines” by Maria Alexandra Iñigo Chua, in Perspectives in the Arts and Humanities Asia 5/2 (2015) pp.129-131

Tan, Arwin Q. Review. “Musika at Bagong Lipunan: Pagbuo ng Lipunang Filipino, 1972-1986” by Raul Casantusan Navarro, in Asian Studies: Journal of Critical Perspectives on Asia 51/1 (2015) pp. 202-204
  2016 Buenconsejo, Jose S. "The Agusan Manobo Concept of Twin-Soul and Externalized Self: A Phenomenological Inquiry into the Mimesis of Spirit Voice/Song in Ritual." Translated to Chinese by Mercedes Dujunco. Ritual Soundscapes. Beijing: Culture and Art Publishing House, 2016

Muyco, Maria Christine M. “Constructs from Living Cultures: Creating and (Re)sourcing Composition on the Cloud.” Music and Performing Arts Journal, vol. 2, Faculty of Music and Performing Arts, Burapha University, Thailand, 2016

Muyco, Maria Christine M. Ideologies in Asian Bird Music-Dance: Unities in Place/Motion http://grant-fellowship-db.jfac.jp/en/fellow/fs1603/. The Royal and the Laymen Divide: Bird Music-Dances in Central Thailand as Markers of Place and Migration by Maria Christine Muyco and Sanchai Uaesilapa (Research funded by the Japan Foundation Asia Center) Not a Peacock but a Ginggala: The Tai Yai’S Mythical Human-Bird in Places and Particularities by Maria Christine Muyco and Khanithep Pitupumnak (Research funded by the Japan Foundation Asia Center) Song as Precedence to Dance: Understanding The Pedagogy of Learning Kinnari in Ventiane, Laos by Maria Christine Muyco and Nouth Phouthavongsa (Research funded by the Japan Foundation Asia Center) Incursions and Sustained Malaysian Bird Dance Traditions by Maria Christine Muyco and Mohd Anis Nor (Research funded by the Japan Foundation Asia Center) 2016

Santos, Ramon P. "A Contextual Commentary on the Philippine Audiovisual Documentaries of Robert Garfias." Senri Ethnological Reports 133 (2016)
  2017 Nagai, Hiroko. "A lady from Ukraine and her experience of Chernobyl and Fukushima,” Ame Tsushin Newsletter, no. 305 (2017)

Nagai, Hiroko. "Earthquake and Manila,” Ame Tsushin Newsletter, no. 301 (2017). Nagai, H. "Oro and the issue of dog-eating,” Ame Tsushin Newsletter, no. 300 (2017)

Nagai, Hiroko. "Martial Law in Mindanao, Philippines,” Ame Tsushin Newsletter, no. 302 (2017)

Nagai, Hiroko. "Phallus indusiatus in Marikina City, Philippines,” Ame Tsushin Newsletter, no. 304 (2017)

Nagai, Hiroko. "The cancellation of permanent visa and the Department of Immigration, Philippines,” Ame Tsushin Newsletter, no. 303 (2017)
  2018 Nagai, Hiroko. "Australian composers, Malaysian players, and transcultural music production,” Ame Tsushin, Newsletter, no. 311 (2018)

Nagai, Hiroko. "Blending Hogaku and Popular Music in Japan’s Cultural Export: Hybridity, Authenticity and Cultural Identity in NHK Blends," 3rd International Music and Performing Arts Conference Proceedings, 2018 http://impac2018.upsi.edu.my/images/Proceedings/Hiroko%20Nagaiunpaid%20ClareEdit%20doc.pdf

Nagai, Hiroko. "Director Joseph and the making of film score "Double Twisting Double Back,”” Ame Tsushin Newsletter, no. 312 (2018)

Nagai, Hiroko. "Foreign workers and Japanese language education,” Ame Newsletter, no. 308 (2018)

Nagai, Hiroko. "Koto music that is not Japanese,” Sawai Koto Academy Newsletter, 310 (2018)

Nagai, Hiroko. “The Making of Original Soundtrack Double Twisting Double Back.” Ame Tsushin Newsletter 313. 2018

Nagai, Hiroko. “Multicultural Society of Hawaii and the Japanese Network.” Ame Tsushin Newsletter 310. 2018

Nagai, Hiroko. "Perak, Malaysia: A stagnating economy?” Ame Tsushin Newsletter, no. 313 (2018)

Nagai, Hiroko. "Poke, pan cake, luau and udon: multicultural food in Hawaii,” Ame Tsushin Newsletter, no. 309 (2018)

Nagai, Hiroko. "To-I-Kin: A Koto Chamber Concert,” UP College of Music, no, 307 (2018)

Nagai, Hiroko. "Yuji Takahashi and the music movements in Southeast Asia,” Ame Tsushin Newsletter, no. 306 (2018)
  2019 Buenconsejo, Jose S. "Philippines: History, Culture, and Geography of Music." In The Sage International Encyclopedia of Music and Culture, edited by Janet Sturman. Sage, 2019

Nagai, H. "An 'ayashii' Japanese language school and foreign students in the labor forces in Japan,” Ame Tsushin Newsletter, 315 (2019)

Nagai, Hiroko. "A Japanese language school and the labor in-migration in Japan,” Ame Tsushin Newsletter, no. 317 (2019)

Nagai, Hiroko. "Japanese popular songs in the Philippines: from the prewar period to the 2010s,” Am Tsushin Newsletter, no. 320 (2019)

Nagai, Hiroko. "My nephew is a nurse: working in US or Japan?” Ame Tsushin, no. 316 (2019)

Nagai, Hiroko. "The Culion Leprosy Colony and the making of the film 'Culion',” Ame Tsushin Newsletter, 318 (2019)

Nagai, Hiroko. "The Poverty of the aged people in the aging society of Southeast Asia,” Ame Tsushin Newsletter, no. 319 (2019)

Nagai, Hiroko. "Will the Basic Law of Japanese Language Education work for foreign workers?” Ame Tsushin Newsletter, 314 (2019)

Tan, Arwin Q. “Patronage and Capitalism in the Musical Associations of Late Nineteenth-Century Colonial Manila.” Malaysian Journal of Music. Vol.8, 2019, pp.122-135
  2020 Nagai, Hiroko. "A teacher as an educator and worker in the pandemic,” Ame Tsushin Newsletter, no. 324 (2020)

Nagai, Hiroko. "Manila lockdown and the online music production,” Ame Tsushin Newsletter, no. 322 (2020)

Nagai, Hiroko. "Music making for silent animation films in the 1910s,” Ame Tsushin Newsletter, no. 325 (2020)

Nagai, Hiroko. "Music to connect 100 koto players across the world.,” Ame Tsushin Newsletter, no. 323 (2020)

Nagai, Hiroko. "The Taal eruption and the endangered tawilis,” Ame Tsushin Newsletter, no. 321 (2020)

Nagai, Hiroko. “The New Normal and Music Video Production.” Ame Tsushin Newsletter 324. 2020

De la Peña, LaVerne David C. “At the Crossroads: Moments of Transcendence in Field Music Research.” Creative Research in Music: Informed Practice, Innovation and Transcendence. Routledge, 2020

De la Peña, LaVerne David C. "Songs for and of the Youth: Mapping Trends in Philippine Popular Music," 1900- 2000 book chapter in Made in Nusantara: Studies in Popular Music, Adil Johan and Mayco A. Santaella, editors. Routledge: New York, Education: Positions: Awards Publications, 2020

Tan, Arwin Q. "Tales of Southeast Asia's Jazz Age: Filipinos, Indonesians and Popular Culture, 1920-1936" by Peter Keppy. In International Journal of Asian Studies. Cambridge 17/2 (2020), pp.187-189
  2021 Baes, Jonas U. “Before Their Ears and Minds: Sublation in the Musical Praxis of José Maceda and Mathias Spahlinger.” Malaysian Journal of Music. Vol.10 (no.1). Pejabat Karang Mengarang (UPSI Press), Universiti Pendidikan Sultan Idris. Published: 28 May 2021

Buenconsejo, Jose S. "Philippine Popular Music Industry: Technologies of Music Production, Performance, and Consumption," in Oxford Handbook of Global Popular Music. Edited by Simone Krueger Bridge. Oxford: Oxford University Press. 2021

Cayabyab, Cristina Maria P. “Jazz in the Philippines”. In the Encyclopedia of Popular Music of the World. 2021

Cayabyab, Cristina Maria P. “The (De-) and (Re-) Mythification of OPM: Decentering a Popular Music Sign”. In Made in Nusantara. Routledge Global Popular Music Series, 2021

Muyco, Maria Christine M. “Beyond Mimesis. Redefining the Banog (Hawk-Eagle) in the Music-Dance Tradition of the Panay Bukidnon”, In The Animal Within, ed. by Made Mantle Hood and Patricia Hardwick, 2021

Nagai, Hiroko. "Covid Vaccination in the Philippines,” Ame Tsushin Newsletter, no. 329 (2021)

Nagai, Hiroko. "Home cooking in the pandemic,” Ame Tsushin Newsletter, no. 326 (2021)

Nagai, Hiroko. "Impoverishment, community pantries and red-tagging in the Philippines,” Ame Tsushin, 328 (2021)

Nagai, Hiroko. "My career talk and the women's situation in Japan and the Philippines,” Ame Tsushin Newsletter, no. 331 (2021)

Nagai, Hiroko. "Olympic games, nationalism and the pandemic,” Ame Tsushin Newsletter, no. 327 (2021)

Nagai, Hiroko. "The sound of the pandemic and the recording for a meditation app,” Ame Tsushin Newsletter, no. 330 (2021)

De la Peña, LaVerne David C. and Alma Louise B. Bagano. “Re-sonating Voices, Sounds, and Memories: The Repatriation of 60-Year-Old Field Recordings from Sagada, Mountain Province in Northern Philippines.” In The Legacy of Indigenous Music: Asian and European Perspectives, Yu-hsiu, Oskar Elschek, editors. September 28, 2021. Springer Nature Switzerland https://link.springer.com/chapter/10.1007/978-981-16-4473-3_5

Tan, Arwin Q. "Bodabil Music in the Rise of the American Empire." In Made in Musantara: Studies in Popular Music, edited by Adil Johan and Mayco A. Santaella, pp. 82-90. New York and London: Routledge Taylor & Francis Group, 2021
  2022 Buenconsejo, Jose S. “Philippine Music,” in Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter-Verlag. 2022

Decenteceo, Lisa Veronica D. “Pattong Movements: Choreographed Contestation of Igorot Becoming (Lightning Paper).” Proceedings of the 6th Symposium: The ICTM Study Group on Performing Arts of Southeast Asia. Symposium Themes: Movementscapes and Soundscapes; Heritage and Encounter; New Research. Sponsored by the Ministry of Culture, Taiwan. Published by the Graduate Institute of Ethnomusicology, Tainan National University of the Arts, c2022

Jamisolamin, Solaiman E. “Exploring the Potential Benefits of Ukelele Classes on the Quality of Life and Well-Being of Patients with Hemophilia.” In PULSE Journal for Music and Interdisciplinary Practices. Volume 2 September 2022. Princess Galyani Vadhana Institute of Music

Nagai, Hiroko. "Covid Politics in the Philippines,” Ame Tsushin Newsletter, no. 332 (2022)

Nagai, Hiroko. "My friend in the Ukrainian war,” Ame Tsushin Newsletter, no. 333 (2022)

De la Peña, LaVerne David C. “The Hudhud Epic as practiced in Hingyon, Ifugao: Recorded Episodes (Abstract).” A Summary of Two Proceedings of the 6th Symposium: The ICTM Study Group on Performing Arts of Southeast Asia. Symposium Themes: Movementscapes and Soundscapes; Heritage and Encounter; New Research. Sponsored by the Ministry of Culture, Taiwan. Published by the Graduate Institute of Ethnomusicology, Tainan National University of the Arts, c2022

Santos, Ramon P. “The Sonic-Kinetic Dimension in Philippine Epics.” A Summary of Two Proceedings of the 6th Symposium: The ICTM Study Group on Performing Arts of Southeast Asia. Symposium Themes: Movementscapes and Soundscapes; Heritage and Encounter; New Research. Sponsored by the Ministry of Culture, Taiwan. Published by the Graduate Institute of Ethnomusicology, Tainan National University of the Arts, c2022

Tan, Arwin Q. “Die Krönungshymnen: Prunk und Gloria! Die Coronation Anthems von G.F. Händel.” In Choral Celebrations: Program for the Inaugural Concert of Choral Space: 7-9. Germany: Philharmonie Berlin. 2022
  2023 Baes, Jonas U. “Virtual Implosion (2022): Reflexivity, the ‘Everyday’ and a Music of Philippine Reality (for Ensemble Mosaik).” In Pulse: Journal for Music and Interdisciplinary Practices, Vol. 4 (1) May 2023, pp. 27-39

Buenconsejo, Jose S. “Philippine Music” in Die Musik in Geschichte und Gegenwart. 2023

Carranza, Anna Patricia R. “Finding Resonance: Sustainable Development Goals in the Undergraduate Music Education Programs of a Public University in the Philippines.” In Pulse: Journal for Music and Interdisciplinary Practices, Vol. 4 (1). May 2023, pp. 40-56

Guadalupe, Jocelyn, Eufracio Abaya and Clement Camposano. "Enacting Music Curriculum Contextualization in the Philippine K to 12 Curriculum: Negotiations, Constraints, and Mediating Forces" Philippine Journal of Education Studies Vol. 1, Issue 1 (July 2023)

Perez, Jesher Edrei P. "Navigating Educational Leadership Challenges: Transformations and Policy Implications for Filipino Principals" The Asian Journal of Education and Human Development Vol. 4, No. 1 (2023)

De la Pena, LaVerne David C. Proceedings of the International Asia-Pacific Music Therapy Conference 2019, edited by Wolfgang Mastnak & Jingyi Yang. Beijing, 2023. Beijing Normal University School of Arts and Communication. Subjects dealing with animism and spirituality. [Death, Healing and Music in Mountain Communities] in Chinese language https://www.researchgate.net/publication/370680165_Asia_Pacific_Music_Therapy_Congress_2019



LOCAL PUBLICATIONS

  1955 Maceda, Jose M. “The Music of the Bukids of Mindoro.” Manila: Philippine Women’s University, c1955

Maceda, Jose M. “Music – Where East and West Meet.” Panorama, pp. 19, 39-41
  1956 Pajaro, Eliseo M. “Music and Nationalism.” Philippine Collegian. October 10, 1956

Pajaro, Eliseo M. “Nationalism and the Filipino Composer.” This Week Magazine. November 8, 1956

Pajaro, Eliseo M. “Nationalism in Music.” This Week Magazine. October 21, 1956

Pajaro, Eliseo M. “Pajaro Takes Floor in Feud with Dir. Tapales over Jazz.” Philippine Collegian. September 26, 1956

Pajaro, Eliseo M. “Should Jazz Taught at the U.P.” Sunday Times Magazine. Sept. 16, 1956
  1957 Pajaro, Eliseo M. “The Filipino Composer.” Souvenir Program of the Manila Symphony Society’s Philippine Music Festival. June 18, 1957

Pajaro, Eliseo M. “Nationalism and Folk Music.” Comment, Second Quarter. 1957

Pajaro, Eliseo M. “Nationalism in Music.” Panorama Magazine. January 1957

Pajaro, Eliseo M. “The Role of the Musician in Society.” Library Apprentice. 1957
  1959 Maceda, Jose M. “Setting of the Music of the Maguindanao.” Diliman Review (July 1959) pp.308-316

Pajaro, Eliseo M. Music of Our Own.” Sunday Times Magazine. December 20, 1959
  1963 Pajaro, Eliseo M. “The Flight of the Filipino Composer.” Comment, Third Quarter. 1963
  1966 Maceda, Jose M. “The Place of Asian Music in Philippine Contemporary Society.” Revitalizing Music for Contemporary Living. Proceedings of the 2nd National Music Commission of the Philippines, pp.83-89. 1966

Pajaro, Eliseo M. “Music in the Community.” Proceedings of the Second National Music Conference with a Theme “Revitalizing Music for Contemporary Living.” Published by the UNESCO National Commission of the Philippines, Manila. 1966

Pajaro, Eliseo M. “Nationalism in Music.” Musical Journal of the Philippines. Vol. 1 no. 2. April 1966
  1971 Maceda, Jose M. “Classification and Distribution of Musical Instruments in the Philippines.” The Musics of Asia. Papers read at an International Music Symposium held in Manila, April 12-16, 1966. Manila: National Music Commission of the Philippines, 1971

Maceda, Jose M. Editor of “The Musics of Asia.”. Papers read at an International Music Symposium held in Manila, April 12-16, 1966. Manila: National Music Commission of the Philippines, 1971
  1976 Santos, Ramon P. "Ang Binunga ng Pagiging Kanluranin sa Musika sa Pilipinas =The effects of Westernization on Music in the Philippines." Musika Buletin 3 : 57-59, 66-67. 1976

Santos, Ramon P. "Ang Unang Gamelan sa Pilipinas." 1976
  1977 Belleza, Marietta G. at Jose Maceda. “Udlot-Udlot: Isang Bagong Musika na Maituturo sa High School.” Musika Jornal. Vol. 1, pp. 27-41. 1977

Maceda, Jose M. “Ang mga Kaisipan sa Musika sa Timog-Silangang Asya.” Musika Jornal. Vol. 1, pp. 3-11. 1977

Nicolas, Arsenio M., Jr. “Ang Musika ng mga Yakan sa Pulo ng Basilan.” Musika Jornal. Vol. 1, pp. 79-110. 1977

Santos, Ramon P. "Bagong Kamalayan sa Kontemporaryong Musika sa Pilipinas." Musika Jornal. Vol. 1, pp. 12- 25. 1977
  1978 Maceda, Jose M. “Isang Ulat ng Isang Workshop sa Musika sa Silangang Kalimantan, Indonesia.” Musika Jornal. Vol. 2, pp. 37-76. 1978

Prudente, Felicidad A. “Ang Musikang Pantinig ng mga Ayta Magbukun ng Limay, Bataan.” Musika Jornal. Vol. 2, pp. 188-187. 1978
  1979 Maceda, Jose M. “Ang Musika sa Pilipinas sa Ika-19 na Daangtaon.” Musika Jornal. Vol. 3, pp. 7-40. 1979
  1988 Villaruz, Basilio Esteban S. "Grand Style Hospitality." Malaya (07 Aug. 1988), 6
  1989 Villaruz, Basilio Esteban S. "Of Pauper Princes and Revered Shamans." Manila Chronicle (12 Dec. 1989), 25+

Villaruz, Basilio Esteban S. "Pure pleasure [review of] Cinderella." Manila Chronicle (22 Dec. 1989), 32

Villaruz, Basilio Esteban S. "Sayaw: A Video Documentary on Philippine Dance." Tuklas Sining Series. Manila: Cultural Center of the Philippines 1989

Villaruz, Basilio Esteban S. "Sayaw: An Essay on Philippine Dance." Manila: Sentrong Pangkultura ng Pilipinas, 1989

Villaruz, Basilio Esteban S. "The Best 20 Years of Ballet Philippines in Highlights." Manila Chronicle (23 Nov. 1989), 28+
  1992 "Sayaw: a documentary on Philippine Ethnic Dances and Rites." Obusan, Ramon A., Villaruz, Basilio Esteban S. Cultural Center of the Philippines. Manila: The Center, c1992

Santos, Ramon P. "Nationalism in Philippine Music During the Japanese Occupation: Art or Propaganda?", Panahon ng Hapon. Cultural Center of the Philippines. 1992

Santos, Ramon P. "Study and Understanding of Oral Traditions with Reference to Philippine Music," NRCP Research Journal Vol.1, no.4 (Oct-Dec) 1992. Taguig: Metro Manila, NRCP, 1992

Villaruz, Basilio Esteban S. "Sayaw: An Essay on Philippine Ethnic Dance." Obusan, Ramon A., Basilio Esteban S. Villaruz. Manila: Sentrong Pangkultura ng Pilipinas, 1992
  1993 Silvestre, Ma. Patricia B. “Nicanor Abelardo” in 100 Years of Nicanor Abelardo: 1893-1993, Commemorative Program, UP College of Music and The National Commission for Culture and the Arts, 1993
  1994 Cultural Center of the Philippines Encyclopedia of Philippine Art (CCPEPA). Music Volume 6: Philippine Music. Nicanor G. Tiongson, Editor-in-Chief; Corazon C. Dioquino & Ramon P. Santos, Area Editors. 1st Edition, Cultural Center of the Philippines, c1994

"American Traditions and Transformations in Philippine Music." Written by Ramon P. Santos (1994)
"Ang Pasko ay Sumapit." Written by Ma. Patricia Brillantes (1994)
"Ave Maria." Written by Ma. Patricia Brillantes (1994)
"Babae Ka." Written by Ma. Patricia Brillantes (1994)
"Bandurria." Written by Edna Marcil M. Martinez (1994)
"Basahanan." Written by Ma. Patricia Brillantes (1994)
"Chan, Jose Mari." Written by Edna Marcil M. Martinez (1994)
"Compositions: Oral Traditions in Philippine Music." Written Ramon P. Santos (1994)
"Concerto No.1 for Violin and Orchestra." Written by Ma. Patricia Brillantes (1994)
"Di Na Natuto.” Written by Edna Marcil M. Martinez (1994)
"Esmilla, Sergio." Written by Edna Marcil M. Martinez (1994)
"Granada, Gary." Written by Edna Marcil M. Martinez and Elmer L. Gatchalian (1994)
"Guitar." Written by Edna Marcil M. Martinez and Resil B. Mojares (1994)
"Handog ng Pilipino sa Mundo." Written by Ma. Patricia Brillantes
“Igorot Rhapsody." Written by Ma. Patricia Brillantes (1994)
"Indigenous Traditions and Transformations in Philippine Music." Written by Ramon P. Santos (1994)
"Kay Ganda ng Ating Musika." Written by Ma. Patricia Brillantes (1994)
"Kundiman / Anak-dalita." Written by Ma. Patricia Brillantes (1994)
"Kundiman ng Luha." Written by Ma. Patricia Brillantes (1994)
"Kundiman." Written by Antonio C. Hila and Ramon P. Santos (1994)
"Laki Sa Layaw (Jeproks)." Written by Ma. Patricia Brillantes (1994)
"Laud." Written by Edna Marcil M. Martinez (1994)
"Likas-An." Written by Ma. Patricia Brillantes (1994)
"Liturgical Music." Written by Rene B. Javellana and Maria Patricia Brillantes (1994)
“Madaling Araw." Written by Ma. Patricia Brillantes (1994)
"Manila Chamber Orchestra." Written by Edna Marcil M. Martinez (1994)
"Marangal na Dalit ng Katalugan." Written by Ma. Patricia Brillantes (1994)
"Mga Kababayan Ko." Written by Ma. Patricia Brillantes (1994)
"Molina, Antonio." Written by Edna Marcil M. Martinez (1994)
"Molina, Lito." Written by Edna Marcil M. Martinez (1994)
"Ngayon at Kailanman." Written by Ma. Patricia Brillantes (1994)
“Opera.” Written by Mauricia D. Borromeo (1994)
“Organ.” Written by Eric Dimson (1994)
"Pasaknungan Philippines." Written by Edna Marcil M. Martinez (1994)
"Philippine Music During the Third Republic (1946-72).” Written by Ramon P. Santos (1994)
"Philippine Music." Written by Jose M. Maceda, Corazon C, Dioquino, and Ramon P. Santos (1994)
"Pizzicato Caprice." Written by Ma. Patricia B. Silvestre (1994)
"Reyes, Louie." Written by Edna Marcil M. Martinez (1994)
"Saan Ka Man Naroroon." Written by Ma. Patricia Brillantes (1994)
"San Pedro, Lucio." Written by Ma. Patricia Brillantes and Antonio C. Hila (1994)
"Siklo." Written by Ma. Patricia Brillantes (1994)
"Sources and Influences in Philippine Music." Written by Ramon P. Santos (1994)
"Suite Pastorale." Written by Ma. Patricia Brillantes (1994)
"The Life of Lam-Ang." Written by Ma. Patricia Brillantes (1994)
"Toledo, Chino." Written by Felicidad Z. Reyes and Ma. Patricia Brillantes (1994)
"Veneracion, Andrea." Felicidad Z. Reyes and Ma. Patricia Brillantes (1994)

"Sayaw: a video documentary on the American colonial and contemporary traditions in Philippine dance." Villaruz, Basilio Esteban., Alfonso, Grace Javier, Cultural Center of the Philippines, Cultural Center of the Philippines. Manila: The Center c1994

Santos, Ramon P. "Musika: An Essay on the American Colonial and Contemporary Traditions in Philippine Music." Manila: Sentrong Pangkultura ng Pilipinas, c1994
  1995 Santos, Ramon P. "Music in the Philippines." "Musics of Asean." Quezon City: ASEAN Committee on Culture and Information, c1995.
  1997 Santos, Ramon P. "Dance a View from Music." Ani. 24 (1997), Vol. 24

Santos, Ramon P. "Mindanao Highland Music Tradition and Change.” National Music Competitions for Young Artists. Santos, Ramon P. [Manila NAMCYA] 1997.

Santos, Ramon P. "Tunugan '97 proceedings of the 18th Conference and Festival of the Asian Composers League.' Manila: League of Filipino Composers, National Commission for Culture and the Arts Asian Cultural Council 1997.

Villaruz, Basilio Esteban S. "Ballet in the Non-western Society Dance Theatre Philippines - a Pirouette Off-center." Ani. 24 (1997), vol. 24

Villaruz, Basilio Esteban S. "Gathering surprises and Remembrances - a Preface.' Ani. 24 (1997), vol. 24:
  1998 Aldecoa, Ena Maria R. “Music and Politics in the Philippines (1896-1986).” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Baes, Jonas U. “Northern Mangyan Vocal Music: A Preliminary Account.” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Borromeo, Mauricia D. “Vocal Music of the Cordillera Highlands.” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Dioquino, Corazon C. “Instruments of the Cordillera Highlands.” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Prudente, Felicidad A. “Antukin: Philippine Folk Songs and Lullabyes.” Tahanan Books, 1998

Santos, Ramon P. “Classical and Art Music in the Philippines.” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Santos, Ramon P. “Modernism in Philippine Art Music in the Twentieth Century.” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Santos, Ramon P. "Musika sa Panahon ng Rebolusyon 1896: Salamin sa Pagbuo sa Isang Pambansang Kamalayan." WIka, Panitikan, SIning at Himagsikan. Patnugot: Atoy Navarro at Raymund Abejo. Likas: 1998

Santos, Ramon P. "New Perspectives on Music with Reference to Society and Culture." Humanities: Art and Society Handbook. Quezon City: Commission on Higher Education, 1998

Santos, Ramon P. “Philippine Music: Pluralism and Change: In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998

Villaruz, Basilio Esteban S. “The Philippine Music-Theatre.” In Compendium of the Humanities of the Philippines. Dioquino, Corazon C., ed. Taguig: National Research Council of the Philippines,1998
  1999 Villaruz, Basilio Esteban S. "Between Manila and Melbourne a learning about life and dance." Manila Bulletin (26 Jun. 1999), B7

Villaruz, Basilio Esteban S. "Dancers to honor Sony Lopez Gonzales." Philippine Daily Inquirer (28 Jun. 1999), G8

Villaruz, Basilio Esteban S. "Don Quixote." Philippine Daily Inquirer (27 Sep. 1999), D2
  2000 Villaruz, Basilio Esteban S. "Charging Faces and Forces in Philippine Dance." Philippine Star (06 Mar. 2000), L-2
  2001 Buenconsejo, Jose S. “Dances of Hostility and Friendship: Embodied Histories of Group Relations in the Agusanen-Manobo Spirit-Possession (Yana-an Ritual)” in Humanities Diliman. Vol. 1, No. 2: 2001

Buenconsejo, Jose S. “Manobo Song (Ted-em) and the Ambiguous Voice of the Person and its Double” in Bulawan Journal of Philippine Arts and Culture. Vol. 1: 2001

Buenconsejo, Jose S. Review of “Reflections on Philippine Culture and Society: Festschrift in Honour of William Henry Scott,” edited by Jesus Peralta (Quezon City: Ateneo de Manila University Press, 2001

Buenconsejo, Jose S. “Shamisen Ensemble Kaze Opens Philippines-Japan Festival 2001” in The Japan Foundation Manila Office Newsletter. Volume 7, No. 1: May 2001

Gonzales, Geraldine Marie B. "Guhit-Tugtugin: Adventures in Filipino Folksongs in Piano." Humanities Diliman. Vol. 2 no.1 (2001). Pp.123-25 ISSN: 2012-0788

Navarro, Raul C. “Ang Musika sa Pilipinas: Pagbuo ng Kolonyal na Polisi, 1898-1935.” Humanities Diliman, Volume 2, Number 1, January-June 2001. Quezon City: UP Office of the Vice Chancellor for Research and Development, 2001, pp. 45-68

Santos, Ramon P. "Constructing a National Identity Through Music." Bulawan: Journal of Philippine Arts & Culture 2 (2001), p. 20-31

Silvestre, Ma. Patricia B. “The UP College of Music At 85: Evolving Excellence in the Musical Arts” in Salin-Lahi, Salin Musika, Commemorative Program of the College of Music, 2001
  2002 Buenconsejo, Jose S. “Interview with Prof. Jose Maceda, National Artist in Music of the Philippines” in Bulawan Journal of Philippine Arts and Culture. Vol. 2: 2002

Buenconsejo, Jose S. Review of “Reflections on Philippine Culture and Society: Festschrift in Honour of William Henry Scott,” edited by Jesus Peralta. In Pilipinas 38 (March 2002) P a g e 14 | 35

Santos, Ramon P. "Revivalism and Modernism in the Musics of Post-Colonial Asia." Bulawan 7. Manila: National Commission for Culture and the Arts. 2002

Silvestre, Ma. Patricia B. "The Other Stories. Editor, Collection of Philippine Short Stories in Spanish (translated into English). Published by the Agencia Española de Cooperación Internacional and UP College of Arts & Letters, 2002
  2003 Buenconsejo, Jose S. “A Search in Asia for a New Theory of Music.” Quezon City: University of the Philippines Center for Ethnomusicology, 2003

Tan, Arwin Q. “The Academy of Music of Manila: A Legacy of Cosmopolitan Liberality” CAS Review 2/4 (June 2003) pages 14-18 L-2
  2003 Buenconsejo, Jose S. “Reciprocity in Rice.” Invited paper read in the Philippine National Museum’s Symposium on Rice in the Seven Arts, Manila, February, 2003. Published by the Rice Foundation, Los Baños, 2004

Navarro, Raul C. “Musika sa Pampublikong Paaralan sa Pilipinas, 1901-1930.” Daluyan: Journal ng Wikang Filipino, Vol. II (2004). Quezon City: Sentro ng Wikang Filipino, UP Diliman, 2004, pp. 163-175.

Santos, Ramon P. "Jose Monserrat Maceda: Rebellion, Non-conformity, and Alternatives." Bulawan: Journal of Philippine Arts & Culture 15 (2004), p. 10-41
  2005 Buenconsejo, Jose S. “Friendship and the Fear of Poison: A Particular History of Alterations in the Agusan Manobo Ritual.” Paper read at the Philippine National Historical Society Conference, November 2002. Published in The Journal of History, 2005

Santos, Ramon P. "Mga Sangkap Aralin sa Teorya at Praktis Pang-Musika Buhat sa Pang-Mundong Pananaw = Study Materials for the Theory and Practice of Music from a World Perspective part two." 2005

Santos, Ramon P. "Tunugan: Four Essays on Filipino Music." Quezon City: University of the Philippines Press, c2005
  2006 Buenconsejo, Jose S. “On the Relationships between Words and Melody in Pulangihon-Bukidnon Uwaging.” Paper read in the 10th International Conference on Austronesian Linguistics in Puerto Princesa, Palawan, Philippines, January 17-20 2006. (published in Humanities Diliman 3/2 (July-December 2006) (Research output of an OVCRD grant)

Buenconsejo, Jose S. “Spirit of the Act: On Indicating Presences in the Agusan Manobo Ritual Language.” In (Re)making Society: The Politics of Language, Discourse and Identity in the Philippines, edited by T.R.F. Tupas. University of the Philippines Press, 2007

Silvestre, Ma. Patricia B. “Chronicles of Music in the Heart of Manila” in the Interdisciplinary Anthology Quiapo: Heart of Manila, ed. F.N. Zialcita. Manila: Quiapo Printing, 2006

Villaruz, Basilio Esteban S. "Ramon A. Obusan : A Life Into Rite Dance." Manila: Pambansang Komisyon para sa Kultura at mga Sining c2006
  2007 Navarro, Raul C. "Kolonyal na Patakaran at ang Nagbabagong Kamalayang Filipino: Musika sa Publikong Paaralan sa Pilipinas, 1898-1935.” Quezon City: Ateneo de Manila University Press, 2007
  2008 Navarro, Raul C. “Ang Bagong Lipunan, 1972-1986: Isang Panimulang Pag-aaral sa Musika at Lipunan.” Humanities Diliman, Volume 5, Numbers 1 and 2, January to December 2008. Quezon City: UP Office of the Vice Chancellor for Research and Development, 2008, pp. 47-77

Santos, Ramon P. "Ethnomusicology in the Art of Composition, Tradition and Modernity and the Music of Asia." Musika Jornal Vol. 4 (2008), 6-31

Santos, Ramon P. "Kawayan sa Musika Espiritu, Teknolohiya at Ugnayang Pantao." Humanities Diliman. 5, 1-2 (2008)

Santos, Ramon P. "Musika at kamalayan sa panahon ng pananakop [review of Kolonyal na Patakaran at ang Nagbabagong Kamalayang Pilipino” by Raul C. Navarro. Musika Jornal 4 (2008), vol. 4

Santos, Ramon P. "Symposium on Theories of Performance in the Musics of Asia." Musika Jornal Vol. 4 (2008), 86-196

Silvestre, Ma. Patricia B. “Comments and Impressions on Prof. Jun Cadiz’s Jazz Improvisations and Kit Young’s Piano Improvisations in Burmese Style.” Delivered as Panel Reactor/Discussant at the International Conference ‘Theories of Performance in the Musics of Asia’ under the auspices of the College of Music and the Center for Ethnomusicology, Published as conference proceedings in Musika Jornal 4 UP Center for Ethnomusicology, College of Music, 2008

Tan, Arwin Q. “A Review of Lawak Rondalya: Commemorative CD Album of Cuerdas nin Kagabsan” in Musika Jornal 4 (2008) pages 216-218
  2009 Baes, Jonas U. “Bamboo Mjusic and Composition in the Philippines: Disquietudes on the Ascendancy of a Cultural Object” in Humanities Diliman 7. 2009

Baes, Jonas U. “On the Orders of Terror: Notes on Sound, Music and the Philippine Horror Film.” Musika Journal 6. 2009

Martinez, Edna Marcil M. “The Life and Works of Marcelo Adonay." Elena Mirano, editor-in chief; Corazon C. Dioquino; Melissa Corazon V. Mantaring ; Edna Marcil Martinez; Ma. Patricia B. Silvestre; Iñigo G. Vito; Patricia Marion Lopez. Quezon City: UP Press, 2009

Muyco, Maria Christine M. “Gendering Rhythm in Binanog: Panay Bukidnon’s Categories of Sound and Motion.” In UP Musika Jornal (5), pp. 81-104. UP Center for Ethnomusicology, February 2009

Muyco, Maria Christine M. “(Re)Opening a Cultural Memory: The Bamboo Instruments of the Panay Bukidnons.” In Humanities Diliman, vol. 5, Nos. 1 and 2, January to December 2008. Q.C., Philippines: UP Press, March 2009

Santos, Ramon P. "Transmission, Pedagogy, and Education: a critical study of Asian traditional music cultures in post-colonial and post-modern times in Thailand and Indonesia." Musika Jornal V. 5 (2009), Vol. 5

Silvestre, Ma. Patricia B. “Reliving the Music in the Journeys of Nuestra Señora de la Paz y Buen Viaje: Aspects and Impressions of Antipolo Baroque to Twentieth-Century Manila” in Musika Jornal 5. Quezon City: UP Center for Ethnomusicology, 2009

Silvestre, Ma. Patricia B. “Music and History in the Manila of Marcelo Adonay.” In the historical-critical anthology “The Life and Works of Marcelo Adonay”, ed. E. Mirano. Quezon City: UP Press, 2009
  2010 Buenconsejo, Jose S. "Inland-Coastal Philippine Hybridity: Heteroglossia in Agusan Manobo Music and Ritual" Humanities Diliman Volume 7/1 (January-June 2010), pages 140- 175

Buenconsejo, Jose S. "Introduction to Philippine Music Hybridity" Humanities Diliman Volume 7/1 (January-June 2010), pages v-viii

Buenconsejo, Jose S. “What can we learn from the Myths of Shared Miraculous Grains of Rice and Debt of Coconut Toddy? A critical reflection on the indigenous Manobo concepts of sharing and indebtedness,” in Palay-Bigas-Kanin Workbook. Quezon City: Bagong Lumad Foundation, 2010

Silvestre, Ma. Patricia B. “The Best Things in Life Are Free: Music-Making in Abelardo Hall” in UP Home and Campus, ed. N. Gonzalez. Quezon City: UP Press, 2010
  2011 “Ati-Atihan: Mother of Philippine Festivals” by Patrick Alcedo. A Film Review by Basilio Esteban S. Villaruz. Musika Jornal Vol. 7, 160-165. 2011

Buenconsejo, Jose S. "Finding and Telepresencing Authenticity in a Voice Heard from Philippine Radio, as Represented in the Extant Film Giliw Ko (LVN Production, 1939)," in Paths of Practice: Selected Papers from the 2nd Philippine Arts Studies Conference. Quezon City: Arts Studies Foundation, Inc., 2011

Buenconsejo, Jose S. “Music Hybridity and Parody in Francisco Buencamino Sr.'s music for the film ‘Ibong Adarna’ (1941)” Asian Studies Journal 47 (2011), 29-62

Buenconsejo, Jose S. “Music in Ritual” Musika Jornal 7 (2011), pp. 1-4

Guadalupe, Jocelyn T. "A Community-based Music Education Program for the Filipino Youth” in Palay, Bigas, Kanin Monograph Series, BLAFI Foundation-UNDP, September 2011

Silvestre, Ma. Patricia B. “Lorenzo Bueno Medel: Young Piano Virtuoso Prodigy on the Threshold of International Fame” commissioned article published online for UP College of Music Website, UP Diliman 2011
  2012 Buenconsejo, Jose S. “Beyond the Local: Filipino National Culture as Metaculture,” Proceedings of the 150th Rizal Anniversary Conference on Nation and Culture, edited by Thelma Arambulo. Manila: Solidaridad Publishing House, 2012

Buenconsejo, Jose S. "Editor's Note" Humanities Diliman 9/2 (June-December 2012)

Buenconsejo, Jose S. “Editor’s Note (On Postcolonialism) Humanities Diliman 9/1 (January-June 2012)

Guadalupe, Jocelyn T. "Celso Espejo: Rondalla Master” in Musika Jornal, UP Center for Ethnomusicology, June 2012

Guadalupe, Jocelyn T. "PSME Newsletter Volume 7,8,9, No. 1, Philippine Society for Music Education, April 2012- 2014

Santos, Ramon P. “A Focus on the Filipino Rondalla and the Plucked String Tradition." Musika Jornal 8 (2012), Vol. 8

Santos, Ramon P. “Laon-laon: Perspectives in Transmission and Pedagogy of Musical Traditions in Post-colonial Southeast Asia." Manila: University of Santo Tomas Pub. House 2012

Silvestre, Ma. Patricia B. “The Tertulia and 19th-Century Salon Society.” Historical Essay in the Souvenir Program for Tertulia sa Abelardo Hall: An Evening of Filipino Salon Music 1860 to the Present, Abelardo Hall Concert Series, 2012

Villaruz, Basilio Esteban S. "Walking through Philippine Theater." España, Manila: University of Santo Tomas Publishing House, ©2012
  2013 Buenconsejo, Jose S. "Editor's Note (On marginalization) Humanities Diliman 10/1(January-June 2013)

Buenconsejo, Jose S. "Orientalism in the Narrative, Music and Myth of the Amok in the 1937 film Zamboanga" in Plaridel: A Philippine Journal of Communication, Media, and Society. Vol 10/1 (February 2013), 30-49

Fernandez, Mita Antonia S., Researcher/Junior Editor. “Dictionary of Filipino Musical Terms.” First Edition. Organized by the U.P. Center for Ethnomusicology, Supported by the UP Diliman Office of the Chancellor, Office of the Vice Chancellor for Research and Development, NCCA, UNESCO and the Japan Foundation Manila. Launched December 12, 2013 at the U.P. College of Music Museum

Gonzales, Geraldine Marie B., Researcher. "Dictionary of Filipino Musical Terms." First Edition. Organized by the U.P. Center for Ethnomusicology, Supported by the UP Diliman Office of the Chancellor, Office of the Vice Chancellor for Research and Development, NCCA, UNESCO and the Japan Foundation Manila. Launched December 12, 2013 at the U.P. College of Music Museum

Guadalupe, Jocelyn T. "Music and Art Modules in Indigenous Education, Teachers as Ethnographers." Handbook by Eufracio Abaya, U.P. College of Education – Department of Education Bureau of Alternative Learning Systems, May 2013

Guadalupe, Jocelyn T. Researcher. Dictionary of Filipino Musical Terms (First Edition) organized by the U.P. Center for Ethnomusicology, Supported by the UP Diliman Office of the Chancellor, Office of the Vice Chancellor for Research and Development, NCCA, UNESCO and the Japan Foundation Manila. Launched December 12, 2013 at the U.P. College of Music Museum

Martinez, Edna Marcil M. “Abelardo Hall @ 50 – A String of Memories”, Abelardo Hall: Celebrating 50 Years, Commemorative Journal. UP College of Music, 2013

Navarro, Raul C., Editorial Board Member. “Dictionary of Filipino Musical Terms.” Quezon City: UP Center for Ethnomusicology, 2013

Santos, Ramon P. "Dictionary of Filipino Musical Terms." Quezon City: UP Center for Ethnomusicology, c2013
  2014 Baes, Jonas U. “Maceda: Ading (1978). A Critical Dialogue.” Musika Jornal Vol 10, pp.168-182. 2014

Borromeo, Mauricia D. “Francisco Feliciano (1941-2014) Toward Global Understanding and Appreciation of Philippine Indigenous Music and Traditions.” Musika Jornal Vol 10, pp.144-152. 2014

Buenconsejo, Jose S. “Editor's Notes" of Humanities Diliman, two issues of 2014 Volume. 2014

Buenconsejo, Jose S. “Editor's Notes" of Humanities Diliman, two issues of 11/2 2014

Guadalupe, Jocelyn T. “Music Curriculum and Teaching Guides for Special Program for the Arts." National Commission for Culture and the Arts – Department of Education Bureau of Secondary Education, December 2014

Guadalupe, Jocelyn T. “Lucio San Pedro: The Conservatory Archetype in the Midst of Modernism.” Musika Journal 10, pp. 86-113. 2014

Molina, Katherine Frances V. "Antonio J. Molina Beyond Affinity.” In Musika Journal 10 (2014): pp. 17-44.

Martinez, Edna Marcil M. “The Life and Times of Colonel Antonino Buenaventura (1904-1996) 1998 National Artist for Music. Musika Journal 10, pp. 45-60. 2014

Muyco, Maria Christine M. “Santú: Synchronizing Speech Rhythm with the Gong and Bamboo Instruments and Dance of Panay Bukidnons.” Musika Jornal (9). Manila: University of the Philippines Press, March 2014

Navarro, Raul C. “Musika at Bagong Lipunan: Pagbuo ng Lipunang Filipino, 1972-1986.” Quezon City: Ateneo de Manila University Press, 2014

De la Peña, Verne. “Grasping the Heroic Situating Panaghoy sa Isang Bayaning Pinaslang (Lamentation for a Slain Hero), Music of Ramon P. Santos from 1983.” Musika Jornal Vol 10, pp.153-167. 2014

Santos, Ramon P. "Nicanor Abelardo Tagapagbunsod ng Modernismo sa Klasikal na Musika sa Pilipinas." Musika Jornal Vol. 10, pp. 2-16. 2014

Tan, Arwin Q. “Approaching a Post-Colonial Identity in the Music of Lucrecia R. Kasilag.” Musika Jornal 10, pp. 114-143. 2014

Tan, Arwin Q. “Nasyonalismo at Pagkakakilanlan sa Musika ng Iglesia Filipina Independiente: Pagsusuri sa Misa Balintawak ni Bonifacio Abdon.” Saliksik E- Journal 3/2 (November 2014), pp. 307-334

Tan, Arwin Q. “Nurturing the Filipino Youth Towards a Culture of Excellence” Proceedings of the UP Diliman-wide Extension Colloquium (2014) pp. 56-64

Tan, Arwin Q. “Reproduction of Cultural and Social Capital in Nineteenth Century Spanish Regimental Bands of the Philippines.” Humanities Diliman 11/2 (July-December, 2014) pp. 61-89.

Tan, Arwin Q. Review. “Kolonyal na Patakaran at ang Nagbabagong Kamalayang Filipino: Musika sa Pampublikong Paaralan sa Pilipinas 1898-1935” by Raul Navarro, in Perspectives in the Arts and Humanities Asia 4/1 (March 2014) pp. 93-95
  2015 Baes, Jonas U. “Editorial: To the Filipino Composer as National Artist in a Modernizing Milieu.” Musika Jornal Vol 10: iii-v. 2015

Baes, Jonas U. Editor-in-Chief, Musika Journal Volume 10: The Filipino Composer as National Artist (2015) University of the Philippines Center for Ethnomusicology

Cayabyab, Cristina Maria P. “Filipinizing Western Musical Theater: An Analysis of Ryan Cayabyab’s El Filibusterismo”. In Musika Jornal 11: Music in Theater. Quezon City: Center for Ethnomusicology, 2015

De La Peña, LaVerne David C. "Grasping the Heroic: Situating Panaghoy sa Isang Bayaning Pinaslang (Lamentation for a Slain Hero)," music of Ramon P. Santos from 1983 in Musika Jornal 10. Published by the UP Center for Ethnomusicology, 2015

Guadalupe, Jocelyn T. “Lucio San Pedro: The Conservatory Archetype in the Midst of Modernism.” In Musika Jornal 10, UP Center for Ethnomusicology, 2015

Malicdem, Gemma Filipina T. “Proceedings of the 1st UP Diliman-wide Extension Services Colloquium”, UP/University Council Committee on Extension Services/OVCRD/OEC 2015

Navarro, Raul C. “Gay Lingo: Pagsusuri ng ‘Lengguwahe’ sa Dekada Nobenta.” Tolentino, Rolando at Gary Devilles, eds. Kritikal na Espasyo ng Kulturang Popular. Quezon City: Ateneo University Press, 2015, pp. 296- 326

Navarro, Raul C. Editor. Sagisag Kultura (3 Vols.) Manila: National Commission for Culture and the Arts, 2015

Navarro, Raul C. Volume 1: Kasaysayan at Bayani. Sagisag Kultura. Manila: National Commission for Culture and the Arts/Filipinas Institute of Translation, 2015
"Marcelo Adonay (8)”
"Nicanor Abelardo (5)."
"Pambansang Awit (265-266)."

Navarro, Raul C. Volume 3: Kultura at Edukasyon. Sagisag Kultura. Manila: National Commission for Culture and the Arts/Filipinas Institute of Translation, 2015
"Karinyosa (170-171)."
"Kubing (187)."
"Kulintang (191)."
"Kundiman (192)."
"Maglalatik (214)."
"Musikong Bumbong (238)."
"OPM – Original Pilipino Music (249-250)."
"Organong Kawayan ng Las Piñas (250-251)."
"Oyayi (252)'"
"Pamulinawen (269-270)."
"Pangalay (272-273)."
"Rondalla (308)."
"Subli (336)."
"Sulibaw (337)."
Tinikling (358)."
“Agung (7)."
“Awit (29-30)."
“Bayan Ko (59)."
“Bungkaka (82)."
“Gabbang (117)."
“Gitara (126-126)."
“Hota (139-140)."
“Instrumentong Kawayan (149)."
“Jocelynang Baliwag (152-153)."
“Pandanggo (271-272)."
“Singkil (331-332)."

Santos, Ramon P. "The Music of the Zarzuela-Sarsuwela: a Brief Study of the Etymology, Character and Significance of a Filipino Expressive Genre." Musika Jornal Vol. 11, 97-135. 2015
  2016 Baes, Jonas U. "Ang pagong at ang matsing" = The turtle and the monkey = Die Schildkrote und der Affe. A chamber opera in two acts based on illustrations by Jose Rizal. Quezon City: University of the Philippines College of Music, 2016

Carranza, Anna Patricia R. “Living in the Moment: The Essence of Ethnographic Fieldwork for Teaching Music and Dance in the Elementary and Secondary.” Musika Jornal Vol. 12, pp. 1-24. 2016

Martinez, Edna Marcil M. “Three Vignettes: The Orchestra Tradition in the Philippines.” Perro Berde Revista Cultural Hispano-Filipina. Embassy of Spain in the Philippines and Instituto Cervantes, 2016

Muyco, Maria Christine M. “Binukot at Nabukot from Myth to Practise.” Humanities Diliman (Jul-Dec 2016) 13:2, 49-74

Muyco, Maria Christine M. “Film Review: Music in the Life of Balbalasang: A Village in the Northern Philippines Sounds of Bliss, Echoes of Victory: A Kalinga Wedding in Northern Philippines. Documentary Film of Michiyo Yoneno-Reyes and Yoshitaka Terada.” Humanities Diliman Journal, vol. 13, no. 1, January-June 2016. Q.C., Philippines: U.P. Press

Muyco, Maria Christine M. "Sibod: Ideology and Expressivity in Binanog Dance, Music, and Folkways of the Panay Bukidnon." Q.C., Philippines. Ateneo de Manila University Press, April 2016

Navarro, Raul C. “Musika sa Kasaysayan ng Filipinas: Pana-panahong Diskurso.” Quezon City: University of the Philippines Press, 2016
"Sibod: Ideology and Expressivity in Binanog Dance, Music, and Folkways of the Panay Bukidnon" by Maria

Christine M. Muyco. Quezon City: Ateneo de Manila University Press, c2016. A Review by David Gowey. Musika Jornal Vol. 12 (2016) pp. 91-95

Silvestre, Ma. Patricia B. “Beneath the Church Bells: The Hispanic Influence in Philippine Music / Bajo las Campanas: La Influencia Hispanica en la Musica Filipina”—essay published in Perro Berde 5, Journal of HispanicFilipino Culture of the Spanish Embassy in the Philippines and Instituto Cervantes. Mar. 28, 2016 (Manila: Instituto Cervantes) Writing ‘Filipino’: The Critical Pen on Music in Manila’s Newspapers 1860-1940” (abridged version)

“Staging the Philippines’ Asian Imagination in the Midst of a Westernized Reality.” A Review by Janine Josephine Arianne A. Liao. Putri Anak: Isang Bagong Komedya. Verne de la Peña, composition; Enrique Villasis and Juan Ekis, playright; Jina Umali, direction; Angela Baguilat, co-direction/choreography; Mary Katherine Trangco, musical direction; Bryan Viray and Grace Jaramillo, dramarturgy. University of the Philippines, 2017. Musika Jornal Vol. 12, pp. 96-101. 2016

Tan, Arwin Q. “Finding the Filipino Spirit in Music” Orden ng mga Pambansang Alagad ng Sining 2009, 2014. Cultural Center of the Philippines and the National Commission for Culture and the Arts (2016) pp. 139-155 Tan, Arwin Q. Review. “Myth, Mimesis and Magic in the Music of the T’boli, Philippines” by Manolete Mora, in Perspectives in the Arts and Humanities Asia 6/2 (2016) pp. 46-49
  2017 Buenconsejo, Jose S. "Print Music Commodification and the Costumbrismo of Diego C. Perez's Recuerdos de Filipinas y Sus Cantares (1886). " In Philippine Modernities: Music, Performing Arts, and Language, 1880-1941. Jose S. Buenconsejo, ed. Quezon City: University of the Philippines Press, c2017

Buenconsejo, Jose S. Editor. “Philippine Modernities: Music, Performing Arts, and Language, 1880-1941.” Quezon City: University of the Philippines Press, c2017.

Buenconsejo, Jose S. Editor. Cultural Center of the Philippines Encyclopedia of Philippine Art (CCPEPA). Music Volume 7: Philippine Music. 2nd Revised and Updated Edition, Cultural Center of the Philippines, c2017

Guadalupe, Jocelyn T. "Francisco Arcellana: Music and Poetry for Senior High School," Adarna Books, 2017

Navarro, Raul C. “Musika sa Publikong Paaralan sa Filipinas: Pagbuo ng Kamalayang Amerikanisado, 1901- 1935.” In Philippine Modernities: Music, Performing Arts, and Language, 1880-1941. Jose S. Buenconsejo, ed. Quezon City: University of the Philippines Press, c2017. pp. 133-162

Navarro, Raul C. “Apat na Taong Pagsikat ng Nakapapasong Araw: Musika sa Filipinas sa Panahon ng Hapon, 1942-1945.” Plaridel: A Philippine Journal of Communication, Media, and Society, 14 (2). Quezon City: University of the Philippines, c2017. pp. 1-24

Navarro, Raul C. “Mula Mga International Exposition tungong ‘Manila Carnival’: Pagtatanghal ng Filipino bilang ‘Tribal People’ at ‘Beauty Queen’ sa mga Exposisyong Industriyal at Komersiyal.” Humanities Diliman, vol. 14 (2) Jul-Dec. Quezon City: UP Office of the Vice Chancellor for Research and Development, 2017. pp. 64-90 “From ‘International Expositions’ to ‘Manila Carnival’ Presenting the Filipino as “Tribal People’ and ‘Beauty Queen’ in Industrial and Commercial Expositions.” Humanities Diliman, vol. 14 (2) Jul-Dec. Quezon City: UP Office of the Vice Chancellor for Research and Development, 2017. pp. 64-90

Santos, Ramon P. "The Vocal Repertoire of the Ibaloi from Kabayan = Ang Repertoryong Pantinig ng Ibaloi sa Kabayan." Quezon City: University of the Philippines Press, c2017

Tan, Arwin Q. "Capitalism and Mode of Production in the Printing of the First Tagalog Music Theory Book” in Philippine Modernities: Music, Performing Arts, and Language, 1880-1941, edited by José S. Buenconsejo. Quezon City: University of the Philippines Press, c2017
  2018 Tan, Arwin Q. “José M. Maceda at 100,” a feature article in Perspectives in the Arts and Humanities Asia, 7/2 (2017) pages 126-131

Tan, Arwin Q. Review. “A Man and His Music: An Autobiography” by Angel Peña, in Perspectives in the Arts and Humanities Asia 7/1 (2017) pages 58-61

Villaruz, Basilio Esteban S., Area Editor. Cultural Center of the Philippines Encyclopedia of Philippine Art (CCPEPA). Music Volume 8: Philippine Music. 2nd Revised and Updated Edition, Cultural Center of the Philippines, c2017

Baes, Jonas U. “On the Estella-Santiago Dispute: Sublation and Crisis in Intellectual Property Rights in 1930s Philippines.” In "Saysay Himig: A Sourcebook on Philippine Music History 1880-1941" Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Baes, Jonas U. “Musical Borrowing and the Revolutionary Fervor: The Emergence and Dissolution of the Nationalist Song in the Philippines Towards a Sociology of Creative Work.” In Sining at Kultura: A Compendium of Studies on Philippine Arts and Cultures, Traditions, and Innovations, edited by Adelaida Lucero. Taguig: National Research Council of the Philippines, c2018

Buenconsejo, Jose S. “Keyboards in the Nineteenth Century Philippines.” In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Buenconsejo, Jose S. "The Fusion of Art and Science in Traditional Philippine Music-Cultures in Mindanao and Palawan" in National Research Council of the Philippines Compendium in the Humanities. Bicutan, Taguig: NRCP Press, c2018

Buenconsejo, Jose S. “Diego C. Perez and His Recuerdos de Filipinas y sus Cantares: Gran Potpurri Para Piano (1886).” In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Buenconsejo, Jose S. “Early Writings on Philippine Music (1880s to 1930s).” In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Buenconsejo, Jose S. “Six Scholars on Music.” In Sining at Kultura: A Compendium of Studies on Philippine Arts and Cultures, Traditions, and Innovations, edited by Adelaida Lucero. Taguig: National Research Council of the Philippines, c2018

Carranza, Anna Patricia R. "Living in the Moment: The Essence of Ethnographic Field Work for Teaching Music and Dance in the Elementary and Secondary Levels." Musika Jornal 12: Music and Movement. 2018

Cayabyab, Cristina Maria P. “Bodabil and Its Masters.” In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Cultural Center of the Philippines Encyclopedia of Philippine Art (CCPEPA). Music Volume 7: Philippine Music. Nicanor G. Tiongson, Editor-in-Chief; Jose S. Buenconsejo, Area Editor. Arwin Q. Tan Consultant; Josephine Cecilia L. Baradas, Assistant to the Editor. 2nd Revised and Updated Edition, Cultural Center of the Philippines, c2017
"Abejo, Rosalina." Written by Ramon Jocson; updated by Jose S. Buenconsejo (2017)
“Abelardo, Nicanor.” Written by Espiridion Arsenio Manuel; updated by Jose S. Buenconsejo (2017)
"Abrogar-Quinto, Nita." Written by Mauricia D. Borromeo; with additional notes by Jose S. Buenconsejo (2017)
“Abraham, Edru.” Written by Elmer L. Gatchalian; updated by Josephine Cecilia L. Baradas (2017)

"Abucay Band ’91." Written by Rodney D. Ambat (2017)
"Acoymo, Ramon." Written by Jose S. Buenconsejo (2017)
"Adonay, Marcelo." Written by Julia Ann Hallazgo; updated by Arwin Q. Tan (2017)
“Agana-Santos, Tessie.” Written by Rosalinda Galang; updated by Josephine Cecilia L. Baradas (2017)
"Agila, Haring Ibon” (1982) by Joey Ayala, music and lyrics. Written by Milagros Carunungan; updated by Arwin Q. Tan; with additional notes from Elena Rivera Mirano (2017)
“Aguilar, Freddie.” Written by Collie de los Reyes; updated by Josephine Cecilia L. Baradas (2017)
"Ahadas, Uwang." Written by Jose S. Buencjosejo (2017)
“Albert, Joey.” Written by Rosalinda Galang; updated by Josephine Cecilia L. Baradas (2017)
"Alcasid, Ogie." Written by Katherine Frances V. Molina (2017)
"Aldaba, Dalisay." Written by Raj Mansukhani; updated by Arwin Q. Tan (2017)
"Alegre, Juan Bautista." Written by Arwin Q. Tan (2017)
"American Junk” (1985) by Jim Paredes, music and lyrics. Written by Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
"American Traditions and Transformations in Philippine Music (1900 Onward)." Written by Ramon P. Santos; updated by Arwin Q. Tan (2017)
“Andres Bonifacio, Ang Dakilang Anak-Pawis.” Written by Antonio C. Hila, updated by Josephine Cecilia L. Baradas (2017)
"Anak” (1977) by Freddie Aguilar, music and lyrics. Written by Milagros Carunungan; updated by Arwin Q. Tan (2017)
"Anak Zapote Band." Written by Rodney D. Ambat (2017)
“Angono National Symphonic Band.” Written by Alberto de los Santos, with notes from Jose S. Buenconsejo (2017)
“Anguita, Julio.” Written by M. Globio and M.Ojeda; updated by Josephine Cecilia L. Baradas (2017)
"Aracama, Janet." Written by Arwin Q. Tan (2017)
“APO Hiking Society.” Written by Julie Ann Hallazgo; updated by James C. Diaz (2017)
“Asosasyon ng Musikong Pilipino.” Written by Cristina Maria P. Cayabyab (2017)
“Atin Cu Pung Singsing.” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
“Avelino, Ariston.” Written by J. Dalisay; updated by Josephine Cecilia L. Baradas (2017)
“Mga Awit ng Paglingap.” Written by Verne David C. de la Peña (2017)
“Ay Kalisud.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
"Awards, Grants, Commissions, and Contests in Music." Written by Antonio C. Hila; updated by Ma. Patrica B. Silvestre and Arwin Q. Tan (2017)
“Babalik Ka Rin.” Written by Michael M. Coroza; updated by James C. Diaz (2017)
"Baes, Jonas." Written by Jose S. Buenconsejo (2017)
‘Bahay Kubo.” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
"Bakit Ngayon Ka Lang” (1994) by Ogie Alcasid and Aaron Paul de Rosario. Written by Ariel Lev L. Pinzon; with additional notes from Jose S. Buenconsejo (2017)
“Bakya Mo Neneng.” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
“Baleleng.” Written by Milagros Carunungan, with notes from Josephine Cecilia L. Baradas (2017)
"Balsamo, Joed." Written by Jose S. Buenconsejo (2017)
“Balse.” Written by Jeanna B. Malabuyoc; updated by James C. Diaz (2017)
"Band." Written by Antonio C. Hila, Rosalie Matilac (1994); updated by Rodney D. Ambat (2017)
"Banda 88." Written by Rodney D. Ambat (2017)
"Banda Cabiao 11." Written by Rodney D. Ambat (2017)
"Banda Malaya / Banda Uno." Written by Rodney D. Ambat (2017)
"Banda Matanda." Written by Rodney D. Ambat (2017)
"Banda Peñaranda." Written by Rodney D. Ambat (2017)
"Banda Zamora." Written by Rodney D. Ambat (2017)
“Banwa” 2001 by Jonas U. Baes. Written by Verne David C. de la Peña (2017)
"Basang-Basa Sa Ulan” (1998) by Celso Abenoja, music and lyrics. Written by Giesil Carina Merin; with additional notes from Jose S. Buenconsejo (2017)
“Bato sa Buhangin.” Written by Milagros Carunungan; updated by James C. Diaz (2017)
"Bayan Ko” (1928) by Constancio de Guzman. Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Besa, Della.” Written by Elmer L. Gatchalian; updated by Josephine Cecilia L. Baradas (2017)
“Bituing Marikit.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
“Bolipata, Alfonso.” Written by Rosalinda Galang; updated by Josephine Cecilia L. Baradas (2017)
“Bolipata, Jaime.” Written by Rosalinda Galang; updated by Josephine Cecilia L. Baradas (2017)
“Bolipata, Ramon.” Written by Rosalinda Galang; updated by Josephine Cecilia L. Baradas (2017)
“Breve Explicacionde los Principios Elementales de la Musica Idioma Tagalog.” Written by Arwin Q. Tan (2017)
“Buenaventura Band.” Written by Rodney D. Ambat (2017)
"Buencamino, Francisco." Written by Antonio C. Hila, Espiridion Arsenio Manuel; updated by Rodney D. Ambat (2017)
“Buenconsejo, Jose S." Written by Arwin Q. Tan (2017)
“Buhat.” Written by Ma. Patricia Brillantes; updated James C. Diaz (2017)
“Butocan, Aga Mayo.” Written by Janine Josephine Arianne A. Liao (2017)
"Canon, Fernando." Written by Jose S. Buenconsejo (2017)
"Canseco, Jose." Written by Espiridion Arsenio Manuel and Rosalinda Galang; updated by Jose S. Buenconsejo (2017)
"Carpio, Mark Anthony". Written by Arwin Q. Tan (2017)
“Cayabyab, Ryan.” Written by Felicidad Z. Reyes; updated by Cristina Maria p. Cayabyab (2017)
"Celerio, Levi." Written by Michael M. Coroza, updated by Arwin Q. Tan (2017)
"Celso Espejo.” Written by Jocelyn T. Guadalupe (2017)
“Cenizal, Josefino.” Written by Rolando B. Tolentino; updated by Josephine Cecilia L. Baradas (2017)
“Cera, Diego.” Written by Arwin Q. Tan (2017)
"Chamber Music." Written by Corazon C. Dioquino; updated by Arwin Q. Tan. (2017)
"Chant." Written by Felicidad A. Prudente; updated by Jose S. Buenconsejo (2017)
"Ching, Jeffrey." Written by Rosalinda Galang; updated by Arwin Q. Tan (2017)
"Choral Arrangement.” Written by Mauricia D. Borromeo; updated by Raul C. Navarro (2017)
“Choral Groups.” Written y Antonio C. Hila; updated by Raul C. Navarro (2017)
"Choral Music." Written by Raul C. Navarro (2017)
"Citizens Brigade Band of Dasmariñas." Written by Rodney D. Ambat (2017)
“Comintang de la Conquista.” Written by Elena Rivera Mirano with notes by Jose S. Buenconsejo (2017)
“The Company.” Written by Cristina Maria P. Cayabyab (2017)
“Composition in Music.” Written by Ramon P. Santos; updated by Maria Christine M. Muyco (2017)
"Concerto." Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
“Contreras, Jose.” Written by A. C. de los Reyes; updated by Yvette Andaya (2017)
“Corrales, Pilita.” Written by Erlinda Alburo, with notes from James C. Diaz (2017)
“Criticism in Music." Written by Antonio C. Hila; updated by Arwin Q. Tan; additional notes from Jose S. Buenconsejo (2017)
“Cruz, Jovianney Emmanuel.” Written by Rosalinda Galang; updated by James C. Diaz (2017)
"Cruz, Willy." Written by Milagros Carunungan; updated by Cristina Maria P. Cayabyab (2017)
"Cuenco, Ernani." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Custodio, Bernardino." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Cuyugan-Asensio, Fides." Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
“Dahil Sa Iyo.” Written by Felicidad Z. Reyes; updated by James C. Diaz (2017)
“Dalagang Pilipina.” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
“Dandansoy.” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
“De Guzman, Constancio." Written by Flerida G. Nolasco; updated by Arwin Q. Tan (2017)
"De la Peña, Ernie." Written by Rosalinda Galang; updated by Cristina Maria P. Cayabyab (2017)
"De la Peña, Verne." Written by Jose S. Buenconsejo (2017)
“Del Rosario-Villanueva, Nena.” Written by Julie Ann Hallazgo; updated by Josephine Cecilia L. Baradas (2017)
“Demetillo, Lester.” Written by Josephine Cecilia L. Baradas (2017)
“The Development of Music in the Philippine Islands.” Written by Jose S. Buenconsejo (2017)
"Di Na Natuto” (1985) by Danny Javier, music and lyrics. Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
“Dioquino, Corazon C.” Written by Josephine Cecilia L. Baradas (2017)
“Esmilla, Joseph.” Written by Rosalinda Galang; updated by Arwin Q. Tan (2017)
"Esmilla, Sergio." Written by Edna Marcil M. Martinez; updated by Awin Q. Tan (2017)
"Estella, Jose." Written by Antonio C. Hila; updated by Jose S. Buenconsejo (2017)
“Espejo, Celso.” Written by Jocelyn T. Guadalupe (2017)
"Feliciano, Francisco." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Fernandez, Andion." Written by Rosalinda Galang; updated by Arwin Q. Tan (2017)
“Fernandez, Pops.” Written by Elmer L. Gatchalian; updated by James C. Diaz (2017)
"Ferrer, Alegria." Written by Jose S. Buenconsejo (2017)
"Filipino Musical Instruments and Airs of Long Ago" by Norberto Romualdez. Written by Jose S. Buenconsejo (2017)
"Film Music." Written by Jose S. Buenconsejo and Jema Pamintuan (2017)
“La Flor de Manila” (ca.1879). Music attributed by Norberto Romualdez to Dolores Paterno; Pedro Paterno, lyrics. Written by Ma. Patricia Brillantes; updated by Jose S. Buenconsejo (2017)
“Florante.” Written by Josephine Cecilia L. Baradas (2017)
"Flute." Written by Felicidad A. Prudente; updated by Jose S. Buenconsejo (2017)
"Forever More” (1995) by Joey Benin, music and lyrics. Written by Jose S. Buenconsejo (2017)
“Gaano Ko Ikaw Kamahal.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
"General Headquarters Band." Written by Rodney D. Ambat (2017)
"Geronimo, Sarah." Written by Katherine Frances V. Molina (2017)
"Gongs." Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
“Gongs and Bamboo: A Panorama of Philippine Music Instruments” by Jose M. Maceda. Written by Jose S. Buenconsejo (2017)
"Gonzaga, Otoniel." Written by Ramon Jocson and Rolando B. Tolentino; updated by Arwin Q. Tan (2017)
"Granada, Gary." Written by Edna Marcil M. Martinez and Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
"Guitar." Written by Edna Marcil M. Martinez; updated by Nathan Neil V. Manimtim (2017)
“Habanera.” Written by Jeanna B. Malabuyoc; updated by James C. Diaz (2017)
"Hahabol-Habol” (1958) by Clod Delfino, music; Ruben Vega, lyrics. Written by Milagros Carunungan; updated by Arwin Q. Tan (2017)
"Hail Mary the Queen Children’s Choir." Written by Raul C. Navarro (2017)
"Halik” (1998) by Celso Abenoja, music and lyrics. Written by Elmer L Gatchalian; with additional notes from Jose S. Buenconsejo (2017)
"Handog” (1978) by Florante de Leon, music and lyrics. Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
“Harana.” Written by Jose S. Buenconsejo, with notes from Josephine Cecilia L. Baradas (2017)
“Hatinggabi.” Written by Antonio C. Hila; updated by James C. Diaz (2017)
"Hawak-Kamay” (2006) by Yeng Constantino, music and lyrics. Written by Ariel Lev L. Pinzon; with additional notes from Jose S. Buenconsejo (2017)
“Hernandez, Juan." Written by Antonio C. Hila; updated by Jose S. Buenconsejo (2017)
"Hila, Antonio C." Written by Jose S. Buenconsejo (2017)
"Himig Singers." Written by Raul C. Navarro (2017)
“Himno Nacional Filipino/Lupang Hinirang.” Written by Antonio C. Hila; updated by Jose S. Buenconsejo (2017)
“Hindi Kita Malimot.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
"Hispanic Traditions and Transformations in Philippine Music (1521 Onward)." Written by Elena Rivera Mirano; updated by Jose S. Buenconsejo (2017)
"Hontiveros, Eduardo." Written by Rene B. Javellana; updated by Arwin Q. Tan (2017)
"Ang Huling El Bimbo” (1996) by Ely Buendia, music and lyrics. Written by Jose S. Buenconsejo (2017)
"Ili-Ili Tulog Anay.” Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
“Ilustre, Lorenzo.” Written by Arwin Q. Tan (2017)
"Ilustre, Lorrie." Written by Rosalie S. Matilac; updated by Arwin Q. Tan (2017)
“Inang Laya.” Written by Ma. Lourdes Maniquis; updated by Lester Demetillo (2017)
"Indigenous Traditions and Transformations in Philippine Music." Written by Ramon P. Santos; updated by Verne de la Peña; additional notes from Jose S. Buenconsejo (2017)
“Iñigo-Chua, Maria Alexandria.” Written by Arwin Q. Tan (2017)
"Intaray, Masino." Written by Jose S. Buenconsejo (2017)
"Jocelynang Baliwag” (ca.1896). Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Jota.” Written by Jeanna B. Malabuyoc; updated by James C. Diaz (2017)
"Kahit Kailan” (1996) by Jay Oliver Durias, music and lyrics. Written by Jose S. Buenconsejo (2017)
“Kala.” Written by Cristina Maria P. Cayabyab (2017)
"Kanlungan/Pana-Panahon” (1992) by Rom C. Dongeto, music and lyrics. Written by Jose S. Buenconsejo (2017)
"Kantus: Tagabawa” (1999) by Josefino Toledo. Written by Verne David C. De la Peña (2017)
“Kapantay ay Langit.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
"Kasilag, Lucrecia R." Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Kataka-taka.” Written by Corazon C. Dioquino; updated James C. Diaz (2017)
“Kilayko, Leonor.” Written by Rosalinda Galang; updated by James C. Diaz (2017)
“Kirial de Baclayon Año 1826: Hispanic Sacred Music in 19th Century Bohol, Philippines.” Written by Arwin Q. Tan (2017)
“Kolonyal na Patakaran at ang Nagbabagong Kamalayang Filipino: Musika sa Pampublikong Paaralan sa Pilipinas 1898- 1935.” Written by Arwin Q. Tan (2017)
"Kumintang." Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
"Kundiman." Written by Antonio C. Hila and Ramon P. Santos; updated by Arwin Q. Tan (2017)
“Kung Ako Na Lang Sana” (2002) by Soc Villanueva, music and lyrics. Written by Jose S. Buenconsejo (2017)
"Laico-Villanueva, Virginia." Written by Rosalinda Galang and Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
"Larawan” by Francisco Buencamino. Written by Raul C. Navarro (2017)
“L’Bad.” Written Jonas U. Baes (2017)
“Lahing Kayumanggi.” Written by Ma. Patricia Brillantes; updated by Josephine Cecilia L. Baradas (2017)
“Ang Larawan.” Written by Raul C. Navarro (2017)
“Las Piñas Boys Choir.” Written Milagros Carunungan, Elmer L. Gatchalian, Leo Renier, and Armando Salarza; updated by Josephine Cecilia L. Baradas (2017)
“Laud.” Written by Edna Marcil M. Martinez; updated by Edna Aurora C. Culig (2017)
"League of Filipino Composers." Written by Edgardo B. Maranan; updated by Arwin Q. Tan (2017)
"Legaspi, Celeste." Written by Elmer L. Gatchalian; updated by Cristina Maria P. Cayabyab (2017)
“The Life and Works of Marcelo Adonay Volume I.” Written by Jose S. Buenconsejo (2017)
"Ligaya” (1989-1993) by Ely Buendia, music and lyrics. Written by Jose S. Buenconsejo (2017)
"Liturgical Music." Written by Rene B. Javellana and Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
“La Loba Negra.” Written by Ma. Patricia Brillantes; updated by Josephine Cecilia L. Baradas (2017)
"Lopez-Vito, Ma. Luisa." Written by Rolando B. Tolentino; updated by Jose S. Buenconsejo (2017)
“Loving, Walter." Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
"Lozada, Carmencita." Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Lucia Francisco Music Circle.” Written by Felicidad Z. Reyes; updated by James C. Diaz (2017)
"Luha” (1998) by Celso Abenoja, music and lyrics. Written by Ariel Lev L. Pinzon; with notes from Jose S. Buenconsejo (2017)
"Lulay." Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
"Lumuntod, Amal." Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
"Lutes." Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
“Maalaala Mo Kaya?” Written by Antonio C. Hila; updated by James C. Diaz (2017)
"Maceda, Jose." Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
“Magsimula Ka.” Written by Milagros Carunungan; updated by James C. Diaz (2017)
“Magtanim ay Di Biro.” Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
"Maigue, Antonio." Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
“Malicsi, Jonathan.” Written by Rosalinda Galang; updated by James C. Diaz (2017)
“Mandac, Evelyn.” Written by Felicidad Z. Reyes; updated by James C. Diaz (2017)
"Mandolin." Written by Jeanna B. Malabuyoc; updated by Nathan Neil V. Manimtim (2017)
“Marcelo, Jungee.” Written by Katherine Frances V. Molina (2017)
"Marcha." Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
"Marfil, Joy." Written by Jose S. Buenconsejo (2017)
“Ang Maya.” Written by Antonio C. Hila; updated by Josephine Cecilia L. Baradas (2017)
“Minamahal Kita.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
“Mindanao Sketches.” Written by Ma. Patricia Brillantes; updated by Josephine Cecilia L. Baradas (2a17)
“Misa.” Written by Flerida G. Nolasco; updated by Arwin Q. Tan (2017)
“Misa Balintawak.” Written by Arwin Q. Tan (2017)
"Misa 2000” by Ryan Cayabyab. Written by Raul C. Navarro (2017)
"Molina, Lito." Written by Edna Marcil M. Martinez; updated by Katherine Molina (2017)
“Moscardon-Maigue, Nanette.” Written by Josephine Cecilia L. Baradas (2017)
"Mossesgeld Santiago-Font, Jose." Written by Raj Mansukhani; with additional notes by Jose S. Buenconsejo (2017)
“Music for Five Pianos.” Written by Verne David C. de la Peña (2017)
“Music in History, History in Music.” Written by Raul C. Navarro (2017)
“Music in the Philippines: Indigenous, Folk, Modern.” Written by Josephine Cecilia L. Baradas (2017)
“La Musica Popular de Filipinas.” Written by Arwin Q, Tan (2017)
“Musika Jornal.” Written by Jose S. Buenconsejo (2017)
"Mutya ng Pasig” (1926) by Nicanor S. Abelardo, music; Deogracias A. Rosario. Written by Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
“Myth, Mimesisand Magic in the Music of the T’boli, Philippines.” Written by Arwin Q. Tan (2017)
"Nasaan Ka Irog” (1923) by Nicanor S. Abelardo, music. Written by Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
“National Music Competitions for Young Artists Foundation, Inc.” Written by Antonio C. Hila and Ramon P. Santos; updated by Arwin Q. Tan (2017)
"Navarro, Joel." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
“Navarro, Raul.” Written by Arwin Q. Tan (2017)
“Noli Me Tangere.” Written by Antonio C. Hila; updated by Josephine Cecilia L. Baradas (2017)
"Nono, Grace." Written by Jose S. Buenconsejo (2017)
"Novo Concertante." Written by Raul C. Navarro (2017)
“One” (1981) by Ryan Cayabyab. Written by Ma. Patricia Brillantes; updated by Cristina Maria P. Cayabyab (2017)
"Opera." Written by Mauricia D. Borromeo; updated by Arwin Q. Tan (2017)
“Orchestra.” Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Organ.” Written by Eric Dimson; updated by Arwin Q. Tan (2017)
“Organizations in Music.” Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
"Pagdating ng Panahon” (2001) by Dennis Quila, music; Moy Ortiz and Edith Gallardo, lyrics. Written by Samantha Louise R. Bigcas; with additional notes from Jose S. Buenconsejo (2017)
"Pagsamba” (1968) by Jose Maceda. Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
“Piano.” Written by Eric Dimson
“Pakiusap.” Written by Ma. Patricia Brillantes; updated by James C. Diaz (2017)
“Palabunibunyan.” Written by Janine Josephine Arianne A. Liao (2017)
“Pamulinawen.” Written by Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
"Pandanggo." Written by Jeanna B. Malabuyoc; updated by Jose S. Buenconsejo and James C. Diaz (2017)
“Pandanggo sa Ilaw.” Written by Jose S. Buenconsejo (2017)
“Pangkat Kawayan.” Written by Milagros Carunungan; updated by Josephine Cecilia L. Baradas (2017)
“Paredes, Jim.” Written by Rosalinda Galang; updated by James C. Diaz (2017)
"Pasyon." Written by Felicidad A. Prudente and Kristina Benitez; updated by Arwin Q. Tan (2017)
“Patatag.” Written by Milagros Carunungan; updated by Arwin Q. Tan (2017)
"Patronage in Music." Written by Raul C. Navarro (2017)
"Peña, Angel M." Written by Raj Mansukhani; updated by Arwin Q. Tan (2017)
"Philippine Air Force Band." Written by Rodney D. Ambat (2017)
"Philippine Army Band." Written by Rodney D. Ambat (2017)
"Philippine Music During the Fifth Republic (1986 Onward).” Written by Arwin Q. Tan (2017)
"Philippine Music During the Fourth Republic (1972-86).” Written by Raul C. Navarro with Ramon P. Santos (2017)
"Philippine Music During the Third Republic (1946-72)." Written by Ramon P. Santos; additional notes by Jose S. Buenconsejo, Arwin Q. Tan, and Nicanor G. Tiongson (2017)
"Philippine Music." Written by Jose M. Maceda, Corazon C, Dioquino, and Ramon P. Santos; updated by Jose S. Buenconsejo and Arwin Q. Tan; with additional notes from Nicanor G. Tiongson (2017)
"Philippine Navy Band." Written by Rodney D. Ambat (2017)
"Philippine Normal University Himig Kawayan." Written by Raul C. Navarro (2017)
“Piano.” Written by Eric Dimson; updated by Arwin Q. Tan (2017)
"Pinoy Jazz Traditions." Written by Collis H. Davis, Jr.; with notes from Jose S. Buenconsejo (2017)
“Plank Drum.” Written by Mihyun Oh (2017)
"Pop Music." Written by Teresita Gimenez-Maceda; updated by Cristina Maria P. Cayabyab (2017)
"Popular Music Foundation of the Philippines." Written by Rosalinda Galang; with additional notes by Jose S. Buenconsejo (2017)
“Presidential Security Command Band.” Written by Rodney D. Ambat (2017)
"Pumapatak ang Ulan” (1976) by Danny Javier, music and lyrics. Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
"Puno, Rico." Written by Rosalinda Galang; updated by Cristina Maria P. Cayabyab (2017)
“Quirino, Richie.” Written by Raymundo R. Maigue (2017)
"Rainbow” (2004) byJay Durias, music; Sharon Inductivo, lyrics. Written by Jhoanne Kristine A. Vinuya; with additional notes from Jose S. Buenconsejo (2017)
“Recuerdos de Filipinas y sus Cantares: Gran Potpurri para Piano.” Written by Jose S. Buenconsejo (2017)
"Research in Music." Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
“Reyes, Reynaldo.” Written by Felicidad Z. Reyes and Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Rigodon." Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
"Rigor, Snaffu." Written by Rosalinda Galang; updated by Jose S. Buenconsejo (2 J017)
“Roces, Josephine.” Written by Elmer L. Gatchalian and Rosalinda Galang; updated by James C. Diaz (2017)
"Rosas Pandan” (1938) by Domingo Lopez, music and lyrics. Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
"Roxas, Francisco." Written by Espiridion Arsenio Manuel and Rosalinda Galang, with additional notes by Jose S. Buenconsejo (2017)
“Sa Ugoy ng Duyan.” Written by Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Saclag, Alonzo.” Written by Jose S. Buenconsejo (2017)
"Salonga, Gerard." Written by Cristina Maria P. Cayabyab (2017)
"San Pedro, Lucio.” Written by Ma. Patricia Brillantes and Antonio Hila; updated by Arwin Q. Tan (2017)
“Sandugong Panaguinip.” Written by Arwin Q. Tan (2017)
“Sala-Santamaria, Ingrid.” Written by Erlinda Alburo and Antonio C. Hila; updated by Arwin Q. Tan (2017)
“Salonga, Gerard.” Written by Cristina Maria P. Caybyab (2017)
“San Pedro, Lucio.” Written by Ma. Patricia Brillantes and Antonio C. Hila; updated by Arwin Q. Tan (2017)
"Santos, Ramon P." Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
“Sapagkat Kami ay Tao Lamang.” Written by Michael M. Coroza; updated by James C. Diaz (2017)
“Saranggola ni Pepe.” Written by Elmer L. Gatchalian; updated by James C. Diaz (2017)
“Sarung Banggi.” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
“Si Nanay, Si Tatay Di Co Babayaan.” Written by Corazon C. Dioquino; updated by Arwin Q. Tan (2017)
"Silos Sisters." Written by Jose S. Buenconsejo (2017)
"Silos, Leopoldo." Written by Leonardo R. Silos; with notes from Jose S. Buenconsejo (2017)
"Simbanggabi” by Lucio D. San Pedro. Written by Raul C. Navarro (2017)
"Solis, Simplicio." Written by Jose S. Buenconsejo (2017)
"Solo Instrumental Literature." Written by Mauricia D. Borromeo; with additional notes from Arwin Q. Tan (2017)
“Sokkong, Benicio.” Written by Rosalinda Galang; updated by Josephine Cecilia L. Baradas (2017)
"Son, Nomer." Written by Rosalinda Galang and Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)
"Sonata." Written by Corazon D. Dioquino; updated by Arwin Q. Tan (2017)
"Song Debate." Written by Felicidad A. Prudente; updated by Jose S. Buenconsejo (2017)
“Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines.” Written by Arwin Q. Tan (2017)
"Sound Art." Written by Verne de la Peña (2017)
“Sound Studio Recording.” Written by Joseph Voltaire L. Contreras, Juan Bautista H. Alegre, and Arwin Q. Tan (2017)
"Sources and Influences in Philippine Music." Written by Ramon P. Santos; updated by Jose S. Buenconsejo (2017)
“South Border.” Written by Cristina Maria P. Cayabyab (2017)
"Stringed Instrument Making and Repairing." Written by Nathan Neil V. Manimtim (2017)
"Subido, Danny." Written by Rosalinda Galang; updated by Cristina Maria P. Cayabyab (2017)
"Sulaiman, Samaon." Written by Jose S. Buenconsejo (2017)
"Sundo” (2006) by Imago, music and lyrics. Written by Samantha Louise R. Bigcas; with additional notes from Jose S. Buenconsejo (2017)
"Sunico, Raul." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Symphonic Literature." Written by Mauricia D. Borromeo; with additional notes from Arwin Q. Tan (2017)
“Synthesizer.” Written by Eric Dimson; updated by Arwin Q. Tan (2017)
"Tadhana” (2012) by Up Dharma Down (UDD), music; Armi Millare, lyrics. Written by Jhoanne Kristine A. Vinuya; with additional notes from Jose S. Buenconsejo (2017)
"Tan, Arwin Q." Written by Jose S. Buenconsejo (2017)
“Ang Tangi Kong Pag-ibig.” Written by Michael M. Coroza and Antonio C. Hila; updated by James C. Diaz (2017)
"The Development of Music in the Philippine Islands." PCIPR. Written by Jose S. Buenconsejo (2017)
"The Life and Works of Marcelo Adonay" by Elena R. Mirano, et al. Volume I. Research in Music written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
"The New Society Under the Marcoses." Written by Raul C. Navarro (2017)
“Ti Ayat ti Maysa nga Ubing” Written by Corazon C. Dioquino; updated by James C. Diaz (2017)
“Till My Heartaches End” (1992) by Tito Cayamanda and Vehnee Saturno, music. Written by Giesil Carina Merin; with additional notes from Jose S. Buenconsejo (2017)
“Tin-ig.” Written by Jonas U. Baes (2017)
"Toledo, Chino." Written by Felicidad Z. Reyes and Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
“Ang mga Tradisyonal na Musikang Pantinig sa Lumang Bauan, Batangas.” Written by Raul C. Navarro (2017)
"Tribung Pinoy." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Tunugan: Four Essays on Filipino Music" by Ramon P. Santos. Written by Jose S. Buenconsejo (2017)
"Tupas, Benjamin." Written by Julie Ann Hallazgo; updated by Jose S. Buenconsejo (2017)
“Udlot-Udlot.” Written by Ma. Patricia Brillantes; updated by Josephine Cecilia L. Baradas (2017)
“Ugnayan.” Written by Corazon C. Dioquino; updated by Josephine Cecilia L. Baradas (2017)
“UP Concert Chorus.” Written by Jeanna B. Malabuyoc; updated by James C. Diaz (2017)
“UP Jazz Ensemble.” Written by Arwin Q. Tan (2017) UP ROTC Band.” Written by Arwin Q. Tan (2017)
"Valdes, Mitch." Written by Galileo Zafra and Elmer L. Gatchalian; updated by Cristina Maria P. Cayabyab (2017)
"Valdez, Basil." Written by Rosalinda Galang; updated by Cristina Maria P. Cayabyab (2017)
"Valenciano, Gary." Written by Rosalinda Galang; updated by Cristina Maria P. Cayabyab and Elmer L. Gatchalian (2017)
"Valera, Rey." Written by Rosalinda Galang; updated by Cristina Maria P. Cayabyab (2017)
“Van de Steen, John CICM.” Written by Arwin Q. Tan (2017)
"Velasco, Jonathan." Written by Arwin Q. Tan (2017) Velasquez, Regine." Written by Katherine Frances V. Molina and Elmer L. Gatchalian (2017)
"Velez, Manuel." Written by Hope Sabanpan-Yu, with notes by Jose S. Buenconsejo (2017)
"Veneracion, Andrea." Written by Felicidad Z. Reyes and Ma. Patricia Brillantes; updated by Arwin Q. Tan (2017)
"Villame, Yoyoy." Written by Galileo Zafra; updated by Arwin Q. Tan (2017)
“Viray, Gamaliel.” Written by Felicidad Z. Reyes; updated by Josephine Cecilia L. Baradas (2017)
"Virtuoso, Pablo." Written by Erlinda Alburo; with additional notes by Jose S. Buenconsejo (2017)
“VST & Co.” Written by Josephine Cecilia L. Baradas (2017)
“Waray-Waray.” Written by Michael M. Coroza; updated by James C. Diaz (2017)
“Wolfgang.” Written by Cristina Maria P. Cayabyab (2017)
"Yatco, Oscar." Written by Julie Ann Hallazgo; updated by Arwin Q. Tan (2017)
"Zabat Band." Written by Rodney D. Ambat (2017)
"Zithers." Written by Corazon C. Dioquino; updated by Jose S. Buenconsejo (2017)
"Zuñiga, Nonoy." Written by Elmer L. Gatchalian; updated by Arwin Q. Tan (2017)

Guadalupe, Jocelyn T. "Serenata." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Martinez, Edna Marcil M. “The Beginnings and Development of the Orchestra in the Philippines.” In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Montano, Lilymae F. “Memory of Death: The Embodiment of Revenge through a Dance Ritual in Ifugao, Philippines. In The Cordillera Review. Vol. 8, no. 2 (Sept 2018): 43-60

Navarro, Raul C. "Music in the Philippine Revolution." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: University of the Philippines Press, c2018

Navarro, Raul C. "Opera in the Philippines." In Saysay Himig: A Sourcebook on Philippine Music History, 1880- 1941. Arwin Q, Tan, editor. Quezon City: University of the Philippines Press, c2018

Navarro, Raul C. "The Philippine National Anthem." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: University of the Philippines Press, c2018

Navarro, Raul C. "The Soundscape of the Manila Carnival." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q.Tan, editor. Quezon City: University of the Philippines Press, c2018

Navarro, Raul C. “Music Patronage in Colonial Manila." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: University of the Philippines Press, c2018

Navarro, Raul C. “The Thomasites in American Colonial Music Education." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: University of the Philippines Press, c2018

De la Peña, LaVerne David C. "Filipino Composers in the American Colonial Period, 1898-1941." In Saysay Himig: A Sourcebook on Philippine Music History, Arwin Q. Tan, ed. Quezon City: UP Press, c2018

Santos, Ramon P. "Modern Filipino Music before 1950." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, 2018

Santos, Ramon P. "Modernismo sa Sining Musika." Quezon City: University of the Philippines Press, c2018

Santos, Ramon P. “Sining Rehiyon: Contemporary Philippine Arts in the Regions for Senior High School.” C & E Publishing, Inc. 2018

Santos, Ramon P. “Kawayan sa Musika: Espiritu, Teknolohiya at Ugnayang Pangtao.” In Sining at Kultura: A Compendium of Studies on Philippine Arts and Cultures, Traditions, and Innovations, edited by Adelaida Lucero. Taguig: National Research Council of the Philippines, c2018

Silvestre, Ma. Patricia B. "The Manila Tertulia in the Spanish and American Periods: From Private to Public Sphere." In Saysay Himig. A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Silvestre, Ma. Patricia B. "Writing “Filipino: The Critical Pen on Music in Manila’s Newspapers 1860-1940." In Saysay Himig. A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q. "The Academy of Music of Manila (1931–1941): A Central European-molded Conservatory." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q. "Articulating Resistance at the Margins of Power: Music of the Iglesia Filipina Independiente." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q. "The Confederated Music Schools of Manila in the Early Twentieth Century." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q. "The Filipino Bandmasters of Nineteenth Century Spanish Regimental Band. In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q. "The First Tagalog Music Theory Book." In Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q. “Tanda de Valses and its Mode of Production in Late Nineteenth-Century Manila.” In Sining at Kultura: A Compendium of Studies on Philippine Arts and Cultures, Traditions, and Innovations, edited by Adelaida Lucero. Taguig: National Research Council of the Philippines, c2018

Tan, Arwin Q. “Social Networking in Musicians’ Unions and Musical Associations." In Saysay Himig. A Sourcebook on Philippine Music History 1880-1941. Arwin Q.Tan, editor. Quezon City: The UP Press, c2018

Tan, Arwin Q., Editor. "Saysay Himig: A Sourcebook on Philippine Music History, 1880-1941.” Quezon City: Quezon City: The UP Press, c2018

Villanueva, Mahler D. “Nakpil’s Musical Tribute to the Revolutionary Heroes.” In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941, Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Villaruz, Basilio Esteban S. "Clipping Together Steps and Dancing Them Out: With Francisca Reyes Aquino and After." In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Villaruz, Basilio Esteban S. "Tapping Thoughts on Black and Brown Dances in the Americas." In Saysay Himig: A Sourcebook on Philippine Music History 1880-1941. Arwin Q. Tan, editor. Quezon City: The UP Press, c2018

Villaruz, Basilio Esteban D. “A Brief on Filipino Choreographic Spectrum.” In Sining at Kultura: A Compendium of Studies on Philippine Arts and Cultures, Traditions, and Innovations, edited by Adelaida Lucero. Taguig: National Research Council of the Philippines, c2018
  2019 Buenconsejo, Jose S. "On the Filipino Romantic Movie Theme Song and the 1930s and 1950s: The Use of Genres Kundiman, Danza, and Harana in Romantic Scenes." In Pelikula: Journal of Philippine Cinema. Vol. 4, 2019. p.32

Buenconsejo, Jose S. “Playful Music of Mr. C.” Sanghaya: Santaon ng Kultura at mga Sining ng Filipinas. Philippine Culture and the Arts Yearbook, NCCA. January 2020

Buenconsejo, Jose S. “Playful Music of Mr. C.” Sanghaya: Santaon ng Kultura at mga Sining ng Filipinas. Philippine Culture and the Arts Yearbook, NCCA. November 12, 2019

Muyco, Maria Christine M. “Ginggala: The Tai Yai’s Divine Gift Through Music and Dance” (with co-author: Khanithep Pitupumnak, Phd, Chiangmai University, Thailand). Perspectives in the Arts and Humanities in Asia, no. 1, vol. 9. Ateneo de Manila University Press, 2019

Muyco, Maria Christine M. “Hearing Ginhawa In-and-Out and Across Cultures”. In Danyag. Philippine Journal of Social Sciences and Humanities, issue no. 2, volume 22. OVCRE, UP Visayas, 2019

Navarro, Raul C. “Musika ng Pananakop: Panahon ng Hapon sa Filipinas, 1942-1945.” Humanities Diliman, Volume 16, No. 2, Jul-Dec 2019. Quezon City: UP Office of the Vice Chancellor for Research and Development, 2019, pp. 1-46

Roldan, Albert Napoleon and Chloe P. Dellosa. “A Course Module for Art Appreciation.” Quezon City: Rex Bookstore, Inc., 2019

Tan, Arwin Q. “Asia Cantate International Choral Festival 2018,” a feature article in Perspectives in the Arts and Humanities Asia, 9/1 (2019) pages 111-121 Quezon City: University of the Philippines Press, c2017
  2020 Buenconsejo, Jose S. "Insight: Why Music Matters to the Communities." In Art Archive 03: A Collection of Essays on Philippine Contemporary Music & Design. Japan Foundation, Manila, 2020

Buenconsejo, Jose S. "Philippine Heritage in the Popular: Examples from Villame’s Rhyming Songs to Max Surban’s 'Kuradang.” in The Journal of History. Vol. 66 (Jan-Dec 2020), p.279. Philippine National Historical Society. National Commission for Culture and The Arts (2020)

Buenconsejo, Jose S. "The Popular in Philippine Music," Journal of Philippine Music (2020)

Buenconsejo, Jose S. "Varities of Contemporary Filipino Song Mashups (1970s to Present)" in Art Archive 03: A Collection of Essays on Philippine Contemporary Music & Design. Japan Foundation, Manila. September 2020

Buenconsejo, Jose S., Editor. Music Volume. Cultural Center of the Philippines Encyclopedia of Philippine Art (CCPEPA) Digital Edition. Nicanor G. Tiongson, Editor-in-Chief; Cultural Center of the Philippines, c2020

Cayabyab, Cristina Maria P. "Recontextualization OPM in the 21st Centrury." In Art Archive 03. A Collection of Essays on Philippine Contemporary Music & Design. Japan Foundation, Manila, 2020 Cultural Center of the Philippines Encyclopedia of Philippine Art Digital Edition. Music. Nicanor G. Tiongson, Editor-in-Chief; Jose S. Buenconsejo (2018), Area Editor Digital Edition

“Colayco, Quito.” Written by Cristina Maria P. Cayabyab (2020)
“Herrera, Roger.” Written by Cristina Maria P. Cayabyab (2020)
“Introvoys.” Written by Cristina Maria P. Cayabyab (2020)
“Kuradang.” Written by Jose S. Buenconsejo (2020)
“Lozano, Rudy.” Written by Cristina Maria P. Cayabyab (2020)
“Manalo, Aji.” Written by Arwin Q. Tan (2020)
“Molina, Babsie.” Written by Cristina Maria P. Cayabyab (2020)
“Munji III, Eddie.” Written by Cristina Maria P. Cayabyab (2020)
“Myuela, Gerardo Vicente A.” Written by Clement B. Acevedo (2020)
“Ortiz, Moy.” Written by Cristina Maria P. Cayabyab (2020)
“Pedero, Nonong.” Written by Cristina Maria P. Cayabyab (2020)
“Piquero, Anna.” Written by Arwin Q. Tan (2020)
“Quesada, Odette.” Written by Cristina Maria P. Cayabyab (2020)
“Regalado, Jun.” Written by Cristina Maria P. Cayabyab (2020)
“Roldan, Maria Theresa.” Written by Cristina Maria P. Cayabyab (2020)
“Shangkuan-Cheng, Beverly.” Written by Raul C, Navarro (2020)
“Smokey Mountain.” Written by Cristina Maria P. Cayabyab (2020)
“Trinidad, Dante.” Written by Cristina Maria P. Cayabyab (2020)
“UE Chorale.” Written by Arwin Q. Tan (2020)
“University of the Philippines Los Baños Choral Ensemble.” Written by Raul C. Navarro (2020)

De la Peña, LaVerne David C. "Ang tradisyon ng hudhud sa Hingyon, Ifugao." In Mga Pag-aaral sa mga EpikongBayan ng Filipinas: Tradisyon, LIpunan, Inobasyon. NCCA, 2020
Montes, Teresa A. "Music Festivals in the Philippines: Tropicality, Identity, Cosmopolitanism." In Art Archive 03. A Collection of Essays on Philippine Contemporary Music & Design. Japan Foundation, Manila, 2020
Muyco, Maria Christine M. “Ang Limog sa Sugidanon”. In Mga Pag-aaral sa Epikong Bayan ng Filipinas: Tradisyon, Lipunan, Inobasyon. NCCA. 2020
Navarro, Raul C. “Music and Martial Law: The Making of the New Filipino, 1972-1986.” In Bien! Bien! Alagad ng Sining, Anak ng Bayan. Teresita Maceda, Amado Anthony Mendoza, Galileo Zafra, eds. Quezon City: Sentro ng Wikang Filipino, c2020

Navarro, Raul C. “Musikong Filipino sa Panahon ng Pananakop, 1942-1945” Galileo Zafra, ed., Antolohiya ng Araling Filipinas Maynila: Komisyon sa Wikang Filipino, 2020

Navarro, Raul C. “Pilantik at Silakbo ng Musika sa mga Pelikulang Ang Pagdadalaga ni Maximo Oliveros at Heneral Luna.” Tolentino, Rolando at Artistotle Atienza, eds. Sineng Pinoy Indie, 2020

Peralejo, Desiree M. "The Influence of Budots in Philippine Society." In Art Archive 03. A Collection of Essays on Philippine Contemporary Music & Design. Japan Foundation, Manila, 2020

Santos, Ramon P. “Mga Katinigan sa mga Epiko sa Filipinas.” In Mga Pag-aaral sa mga Epikong-Bayan ng Filipinas: Tradisyon, LIpunan, Inobasyon,” NCCA. 2020

Tan, Arwin Q. “Raul Sunico: Bringing Filipino Music and Artistry to the World. In “Gawad CCP para sa Sining 2020.” CCP Complex, Roxas Blvd, Pasay CIty: Cultural Center of the Philippines.
  2021 Baes, Jonas U. “Archival Sound Series: Jose Maceda (Philippines) Field Recordings in the Philippines (1953-1972).” Musika Jornal 13. UP DIliman, Quezon City: UP Center for Ethnomusicology, 2021

Buenconsejo, Jose S. “The Fusion of Art and Science in Traditional Philippine Music-Cultures in Mindanao and Palawan.” In National Research Council of the Philippines Compendium in the Humanities. Bicutan, Taguig: NRCP Press, 2021

Cultural Center of the Philippines Encyclopedia of Philippine Art Digital Edition. Music. Nicanor G. Tiongson, Editor-in-Chief; Jose S. Buenconsejo (2018) Area Editor Digital Edition

“Abraham, Edru.” Written by Elmer L. Gatchalian (1994); updated by Josephine Cecilia L. Baradas (2018) and Jose S. Buenconsejo (2021)
“Acoymo, Ramon.” Written (2018); updated by Jose S. Buenconsejo (2021)
“Aegis.” Written by Lara T. Mendoza (2018); updated by Krina Cayabyab (2021)
“Agila, Haring Ibon.” Written by Milagros Carunungan, with notes from Elena Rivera Mirano (1994); updated by Arwin Q. Tan (2021)
“Aguilar, Freddie.” Written by Collie de los Reyes (1994); updated by Josephine Queipo (2018) and Kiko del Rosario, with notes from Cristina Maria P. Cayabyab (2021)
“Alcasid, Ogie.” Written by Katherine Frances V. Molina (2018); updated by Cristina Maria P. Cayabyab (2021)
“Alegre, Juan Bautista.” Written by Arwin Q. Tan (2018); updated by Jose S. Buenconsejo (2021)
“Ambat, Rodney.” Written by Antonio C. Hila (2018); updated by Jose S. Buenconsejo (2021)
“Apo Hiking Society.” Written by Julie Ann Hallazgo (1994); updated by James C. Diaz (2018) and Cristina Maria P. Cayabyab (2021)
“Aracama, Janet.” Written by Arwin Q. Tan (2018); updated by Jose S. Buenconsejo (2021)
“Asosasyon ng Musikong Pilipino.” Written (2018) and updated by Cristina Maria P. Cayabyab (2021)
“Audience, Time, and Space in Music.” Written by Corazon C. Dioquino (1994); updated by Melissa Corazon V. Mantating (2018); Cristina Maria P. Cayabyab and Elmer L. Gatchalian (2021)
“Awards, Grants, Commissions, and Contests in Music.” Written by Antonio C. Hila (1994); updated by Ma. Patricia B. Silvestre (2017) and Arwin Q. Tan (2017 and 2021)
“Baes, Jonas.” Written (2018) and updated by Jose S. Buenconsejo (2021)
“Balsamo, Joed.” Written (2018) and updated by Jose S. Buenconsejo 2021
“Bamboo.” Written by Lara T. Mendoza (2018); updated by Krina Cayabyab (2021)
“Borromeo, Mauricia.” Written by Nicanor G. Tiongson (2018); updated by Jose S. Buenconsejo (2021)
“Buenconsejo, Jose S.” Written by Arwin Q. Tan (2018); updated by Jose S. Buenconsejo (2021)
“Cabangon, Noel.” Written by Lara T. Mendoza (2018); updated by Cristina Maria P. Cayabyab (2021)
“Carpio, Mark Anthony.” Written (2018)’ updated by Arwin Q. Tan (2021)
“Cayabyab, Ryan.” Written by Felicidad Z. Reyes (1994); updated by Cristina Maria P. Cayabyab (2018 and 2021)
“Choral Groups.” Written by Antonio C. Hila (1994); updated by Raul C. Navarro (2018) and Arwin Q. Tan (2021)
“Corrales, Pilita.” Written by Erlinda Alburro (1994); updated by James C. Diaz (2018) and Cristina Maria P. Cayabyab (2021)
“De la Peña, Verne.” Written (2018); updated by Jose S. Buenconsejo (2021)
“Del Valle, Letty.” Written by Jhoanne Kristine A. Vinuya (2018); updated by Jose S. Buenconsejo (2021)
“Eraserheads.” Written by Juan Bautista H. Alegre (2018); updated by Cristina Maria P. Cayabyab (2021)
“Espino, Augusto.” Written by Josephine Cecilia L. Baradas (2018)
“Federizon, Ruben.” Written by Arwin Q. Tan (2021)
“Ferrer, Alegria.” Written (2018); updated by Jose S. Buenconsejo (2021)
“FILSCAP.” Written by Ricardo Quirino (2018); updated by Cristina Maria P. Cayabyab (2021)
“Geronimo, Sarah.” Written by Katherine Frances V. Molina (2018); updated by Cristina Maria P. Cayabyab (2021)
“Gloc-9.” Written by Katrina Stuart Santiago (2018); updated by Cristina Maria P. Cayabyab (2021)
“Granada, Gary.” Written by Edna Marcil M. Martinez and Elmer Gatchalian (1994); updated by Arwin Q. Tan (2018) and Cristina Maria P. Cayabyab (2021)
“Hanopol, Mike.” Written by Lara T. Mendoza (2018); updated by Cristina Maria P. Cayabyab (2021)
“Hip-Hop.” Written by Rosette V. Pineda (1994); updated by Cristina Maria P. Cayabyab (2021)
“Iñigo-Chua, Maria Alexandra.” Written by Arwin Q. Tan (2018); updated by Jose S. Buenconsejo (2021)
“League of Filipino Composers.” Written by Edgardo Maranan (1994); updated by Arwin Q. Tan (2018 and 2021)
“Legaspi, Celeste.” Written by Elmer L. Gatchalian (1994); updated by Cristina Maria P. Cayabyab (2018 and 2021)
“Lopez, Bianca.” Written by Arwin Q. Tan (2018 and 2021)
“Maigue, Antonio.” Written by Elmer L. Gatchalian (1994); updated by Arwin Tan (2018) and Jose S. Buenconsejo (2021)
“Maigue, Raymundo.” Written by Ricardo C. Quirino (2018); updated by Jose S. Buenconsejo (2021)
“Manalo, Aji.” Written by Arwin Q. Tan (2021)
“Marcelo, Jungee.” Written by Katherine Frances V. Molina (2018); updated by Cristina Maria P. Cayabyab (2021)
“Marfil, Joy.” Written by (2018); updated by Jose S. Buenconsejo (2021)
“Moscardon-Maigue, Nanette.” Written by Josephine Cecilia L. Baradas (2018); updated by Jose S. Buenconsejo (2021)
“Muyco, Maria Christine.” Written by Elena Rivera Mirano (2018); updated by Jose S. Buenconsejo (2021)
“National Music Competitions for Young Artists Foundation, Inc. (NAMCYA).” Written by Antonio C. Hila (1994); updated by Arwin Q. Tan (2018 and 2021)
“Navarro, Raul.” Written by Arwin Q. Tan (2018); updated by Jose S. Buenconsejo (2021)
“Nievera, Martin.” Written by Elmer L. Gatchalian (1994); updated by Crisancti L. Macazo (2018) and Cristina Maria P. Cayabyab (2021)
“Nono, Grace.” Written (2018); updated by Jose S. Buenconsejo (2021)
“Novo Concertante Manila.” Written by Raul Navarro (2018); updated by Arwin Q. Tan (2021)
“Obispo, Fabian.” Written by Arwin Q. Tan (2021)
“Ocampo, Louie.” Written by Raj Mansukhani (1994); updated by Crisancti L. Macazo (2018) and Kristina Maria P. Cayabyab (2021)
“Orchestra.” Written by Antonio C. Hila (1994); updated by Arwin Q. Tan (2018) and (2021)
“Ortiz, Moy.” Written by Cristina Maria P. Cayabyab (2021)
“Paredes, Jim.” Written by Rosalinda Galang (1994); updated by James C. Diaz (2018) and Cristina Maria P. Cayabyab (2021)
“Philippine Madrigal Singers.” Written by Felicidad Z. Reyes, and Ma. Patricia Brillantes (1994); updated by Rosa Concepcion Ladrido (2018) and Arwin Q. Tan (2021)
“Philippine Music.” Cultural Center of the Philippines Encyclopedia of Philippine Art Digital Edition. Written by Jose M. Maceda, Corazon Dioquino, and Ramon P. Santos with notes from Nicanor G. Tiongson (1994); updated by Jose S. Buenconsejo (2018) and Arwin Q. Tan (2021)
“Philippine Society for Music Education.” Cultural Center of the Philippines Encyclopedia of Philippine Art Digital Edition. Written by Edgardo B. Maranan and Elmer L. Gatchalian (1994); u pdated by Mauricia D. Borromeo (2018) and Arwin Q. Tan (2021)
“Piano Teachers’ Guild of the Philippines Foundation, Inc.” Written by Edgardo B. Maranan (1994); updated by Mauricia D. Borromeo (2018) and Arwin Q. Tan (2021)
“Piquero, Anna.” Written by Arwin Q. Tan (2021)
“Pop Music.” Written by Teresita Gimenez-Maceda (1994); updated by Cristina Maria Cayabyab (2018) and (2021)
“Puno, Rico J.” Written by Rosalinda Galang (1994). Updated by Krina Cayabyab (2018 and 2021)
“Quirino, Richie.” Written by Raymundo R. Maigue (2018); updated by Jose S. Buenconsejo (2021)
“Rivera Mirano, Elena.” Written by Antonio C. Hila (2018); updated by Jose S. Buenconsejo (2021)
“Roldan, Maria Theresa.” Written by Arwin Q. Tan (2021)
“Rondalla.” Written by Edna Aurora C. Culig (1994 and 2018); updated by Cristina Maria P. Cayabyab (2021)
“Santos, Ramon.” Written by Corazon C. Dioquino (1994); updated by Arwin Q. Tan (2018 and 2021)
“Side A.” Written by Isidora Miranda (2018); updated by Cristina Maria P. Cayabyab (2021)
“South Border.” Written (2018) and updated (2021) by Cristina Maria P. Cayabyab
“Sponge Cola.” Written by Lara Katrina T. Mendoza (2018); updated by Cristina Maria P. Cayabyab (2021)
“Sugar Free.” Written by Lara Katrina T. Mendoza (2018); updated by Cristina Maria P. Cayabyab (2021)
“Sugarol, Dennis.” Written by Arwin Q. Tan (2018 and 2021)
“Tan, Arwin Q.” Written (2018); updated by Jose S. Buenconsejo (2021)

“Tiples de Santo Domingo.” Written by Milagros Carunungan (1994); updated by Crisancti L. Macazo (2018) and Arwin Q. Tan (2021)
“Tolentino, Tots.” Written by Ricardo C. Quirino (2018); updated by Cristina Maria P. Cayabyab (2021)
“Trinidad, Dante.” Written by Cristina Maria Cayabyab (2021)
“UE Chorale.” Written by Arwin Q. Tan (2021)
“UP Cherubim and Seraphim.” Written by Malu Maniquis (1994); updated by Elena Rivera Mirano (2018) and Cristina Maria P. Cayabyab (2021)
“UP Concert Chorus.” Written by Jeanna B. Malabuyoc (1994); updated by James C. Diaz (2018) and Arwin Q. Tan (2021)
“UP Jazz Ensemble.” Written by Arwin Q. Tan (2018); updated by Rodney D. S. Ambat (2021)
“UP ROTC Band.” Written by Rodney D. S. Ambat (2021)
“UP Singing Ambassadors.” Written by Antonio C. Hila (2018); updated by Arwin Q. Tan (2021)
“UP Symphonic Band.” Written by Rodney D. S. Ambat (2021)
“UST Singers.” Written by Antonio C. Hila (2018); updated by Arwin Q. Tan (2021)
“Valdes, Mitch.” Written by Rosalinda Galang (1994). Updated by Cristina Maria P. Cayabyab (2018) and Arwin Q. Tan (2021)
“Valenciano, Gary.” Written by Rosalinda Galang (1994); updated by Cristina Maria P. Cayabyab and Elmer L. Gatchalian (2018) and Cristina Maria P. Cayabyab (2021)
“Villena Mel.” Written by Ricardo C. Quirino (2018); updated by Cristina Maria P. Cayabyab (2021)
“Wolfgang.” Written (2018); updated by Cristina Maria P. Cayabyab (2021)

Navarro, Raul C. “Musika ng Pananakop: Panahon ng Hapon sa Filipinas, 1942-1945.” Quezon City: University of the Philippines Press, c2021

Navarro, Raul C. “Musikong Filipino sa Panahon ng Digmaan 1942-1945: Mga Likha at Tala sa Usapin ng Kolaborasyon.” In Pagbabalik, Pagbabantayog sa Filipino: Antolohiya ng mga Piling Saliksik sa Pandaigdigang Kongreso sa Araling Filipinas sa Wikang Filipino, Galileo S. Zafra at Apolonio B. Chua, mga editor. Komisyon ng Wikang Filipino, NCCA, c2021

Roldan, Albert Napoleon J. “A Course Module for Teaching Music in the Elementary Schools.” Quezon City: Rex Book Store, Inc., 2021

Roldan, Albert Napoleon J. and Greg Tabios Pawilen. “A Course Module for Understanding Gifted and Talented Learners.” Quezon City: Rex Book Store, Inc., 2021

Tan, Arwin Q., Editor. Music Area. Cultural Center of the Philippines Encyclopedia of Philippine Art Digital Edition. 2021
  2022 Baes, Jonas U. Maceda, Spahlinger and the Dialectics of a “New Music” Praxis in Southeast Asian Modernity.” Diliman, Quezon City: The University of the Philippines Press, c2022.

Buenconsejo, Jose S. "Foreword," General Fernando Canon: His Guitar and the Revolution, by Raul Manikan and Teresa Canon-Garcia. Quezon City: UP Press, 2022

Buenconsejo, Jose S. "Scientifically Blind and Deaf: Francisco Ignacio Alcina’s 1668 Account of Early 16th Century Visayan Song, Poetry, and Dance," The Journal of History Vol. LXVIII (Jan-Dec 2022): 1-17

Buenconsejo, Jose S. “Matud Nila (So They say): the “Manufacturing of Love Representations from Cebuano Theater (1890 50 1970s), in Extant Cebuano Songs, Hope Yu, editor. Taguig: National Research Council of the Philippines, 2022

Buenconsejo, Jose S. "The Zarzuela in Cebu: The Dulang Hinonihan of Vicente Sotto and Piux Kabahar," in More Cebuano than We Admit: Aspects of Cebuano History, Culture, and Society, edited by Resil B. Mojares and Hope Sabanpan-Yu. Quezon City: Vibal Foundation, 2022

Decenteceo, Lisa Veronica D. “Sonic Frictions of an Igorot Becoming at the Lang-ay Festival,” a chapter in a book titled Indigenous Studies in the Philippines, to be published by the University of Philippines Baguio College of Social Sciences

Guadalupe, Jocelyn T. “Kaway-Kawayan: Bamboo Music Education Lessons for K to 12. Volume 1 (Elementary), Volume 2 (High School).” Editor -in-Chief. Language Editor. Website version: www.phbmi.com/publications. Press: https://mb.com.ph/2021/11/27/ph-bamboo-musical-instruments-website-launched/ Guadalupe, Jocelyn T. “Tradition & Innovation: People, Places, and Practices of Bamboo Music in the Philippines” John Joseph S. Coronel, essays; John Cinco, design; LaVerne David C. de la Peña, editor-in-chief; Jocelyn TimbolGuadalupe, research project leader. A documentation project of the Bamboo Musical Instruments Innovation Research and Development Program: UP Center for Ethnomusicology. DOST, DOST-PCIEERD, DOST-FPRDI, UP, UP EEE, PNU. 2022

Marfil, Marie Jocelyn U. “Book-Likha Rondalya: Original Works and Arrangements for Rondalla.” National Commission for Culture and the Arts, 2022

De la Peña, LaVerne David C. “Tradition & Innovation: People, Places, and Practices of Bamboo Music in the Philippines” John Joseph S. Coronel, essays; John Cinco, design; LaVerne David C. de la Peña, editor-in-chief. A documentation project of the Bamboo Musical Instruments Innovation Research and Development Program: UP Center for Ethnomusicology. DOST, DOST-PCIEERD, DOST-FPRDI, UP, UP EEE, PNU. 2022

Navarro, Raul C. “Diktadurya at Bagong Lipunan sa mga Musikang Panghimok at Protesta.” In PS 21: Wika, Panitikan, at Kultura sa ilalim ng Batas Militar: Aklat Palihan / Nancy A. Kimmuel-Gabriel at Mykel Andrada, mga editor. Lungsod Quezon: Sentro ng Wikang Filipino. Unibersidad ng Pilipinas Diliman, c2022

Tan, Arwin Q. “Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines” by Mary Talusan, in Humanities Diliman (19/1): 159-165. 2022

Tan, Arwin Q. “Pakinggan, Namnamin, Suriin: mga Pamantayan sa Pagsusuri ng Musika sa Pilipinas. In “Sining at Kamalayang Pilipino na Maka-Tao: Apat na Dulog sa Pagsusuri ng Sining,” Nicanor Tiongson, editor. Manila, Politeknikong Unibersidad ng Pilipinas : PUP Sentro sa Araling Pilipino / Center for Philippine Studies, c2022

Tan, Arwin Q. “The Tanda de Valses of Jose Estella: Capitalism and Mode of Production of Popular Music in Manila in the Late Nineteenth Century.” Musika Jornal 15, pp. 1-37. 2022
  2023 Buenconsejo, Jose S. Editorial Board in “Julio Nakpil (1867-1960) Collected Works, Maria Alexandra Iñigo Chua, Editor. Volume Two Band and Orchestral Music. Series on Historical Music Edition of the Philippines. Manila, Philippines: University of Santo Tomas Publishing House, c2023

Buenconsejo, Jose S. “Music Cultural Flows and Exchanges in Pulangi River, Maguindanao: The Making and Circulation of Gongs and Bamboo Music and Verbal Arts along the Pulangi-Cotabato River.” Contents: Video 1: Si Tokan: Ang Manggagawa ng Kulintang sa Maguindanao Ilaya. Video 2: Ang Kapitana: Women in Teduray Music and Ritual. Video 3: Water of the Mountains: Traditional Music among the Manobo Dulangan. Video 4: Karatuan: Kudyapi sa Lumang Maguindanao. National Research Council of the Philippines, 2023 Cultural Center of the Philippines Encyclopedia of Philippine Art Digital Edition. Music. Nicanor G. Tiongson, Editorin-Chief; Jose S.

Buenconsejo (2018) and Arwin Q. Tan (2022) Area Editors Digital Edition

“Alcala, Nilo.” Written by Arwin Q. Tan (2023)
“Annie Batungbakal.” Written by Lisa Veronica D. Decenteceo (2023)
“Araw-Gabi.” Written by Cristina Maria Cayabyab (2023)
““Bongga Ka ‘Day.” Written by Lisa Veronica D. Decenteceo (2023)
“Ignacio, Tristan.” Written by Arwin Q. Tan (2023)
“Instruments of Empire.” Written by Lisa Veronica D. Decenteceo (2023)
“Kalesa.” Written by Josephine Cecilia L. Baradas (2023)
“Lumalabay Nga Daw Aso.” Written by Clement B. Acevedo (2023)
“Nakapagtataka.” Written by Cristina Maria P. Cayabyab (2023)
“Salawikain.” Written by Cristina Maria P. Cayabyab (2023)
“Sibod: Ideology and Expressivity in Binanog Dance, Music, and Folkways of the Panay Bukidnon.” Written by Lisa Veronica D. Decenteceo (2023)
“Tuwing Umuulan at Kapiling Ka.” Written by Cristina Maria P. Cayabyab (2023)
“Sarita, Jay.” Written by Nathan Neil V. Manimtim (2023)
“Wish Bus.” Written by Janine Josephine Arianne A. Liao (2023)

Muyco, Ma. Christine M. and Katrina Francesca M. Nazareno “Visual Depictions and Ponderings: Sinday-Muro and Other Beings of Panay Cosmology.” Humanities Diliman: A Philippine Journal of Humanities.Vol. 20, No. 2 (2023)

Tan, Arwin Q. “Pakinggan Namnamin, Suriin: mga Pamantayan sa Pagsusuri ng Musika ng Pilipinas.” In Sining at Kamalayang Pilipino na Maka-Tao: Apat na Dulog sa Pagsusuri ng Sining, Nicanor G. Tiongson, editor. Politeknikong Unibersidad ng Pilipinas, Sta. Mesa, Manila: PUP Sentro sa Araling Pilipino, c2023

Santos, Ramon P. “Tunogtugan: Twenty Essays on Musical and Sonic Traditions.” Quezon City: University of the Philippines Press, c2023

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